Marina Lewycka’s The Good, the Bad and the Little Bit Stupid is completely bonkers
Faced with Marina Lewycka’s new novel, it’s tempting to say that The Good, the Bad and the Little Bit Stupid…
Sharp family saga with a thriller uneasily attached: ITV’s Flesh and Blood reviewed
As in many thrillers, the characters on display in Flesh and Blood (ITV, Monday to Thursday) often seemed locked in…
Odd but gripping: BBC1’s The Pale Horse reviewed
Not much was clear in the opening scenes of The Pale Horse (BBC1, Sunday), which even by current TV standards…
Understated, unashamedly patriotic and heartbreaking: The Windermere Children reviewed
One of the many astonishing things about the BBC2 drama The Windermere Children (Monday) was that the real-life story it…
Undeniably eye-popping: BBC2’s Louis Theroux – Selling Sex reviewed
Victoria, a single mother in her early thirties, is getting her children ready for school — ensuring an equitable distribution…
Did everyone in punk sell out?
For many people of a certain age (full disclosure: mine), punk has been a weirdly persistent presence. These days, we…
Why on earth did Glenda Jackson give up acting? BBC1’s Elizabeth is Missing reviewed
Watching BBC1’s Elizabeth Is Missing made one of the more puzzling decisions of recent decades seem more puzzling still. Entirely…
Is the patriarchy as all-powerful as it’s cracked up to be? The Baby Has Landed reviewed
Anybody who watched the opening episode of The Baby Has Landed (BBC2, Wednesday) might have found themselves wondering if the…
Patronising, clichéd and corny: BBC1’s Gold Digger reviewed
Some last taboos, it seems, can remain last taboos no matter how frequently they’re confronted. Grief, the menopause, masturbation, mental…
It’s a dull world in which children don’t challenge their parents
On the Shoulders of Giants consists of 12 essays that the late Umberto Eco gave as lectures at the annual…
BBC wildlife documentaries are just a chance to tell us all off
Older readers may remember a time when landmark BBC wildlife documentary series were joyous celebrations of the miraculous fecundity of…
Should we be playing the surveillance state for laughs? Celebrity Hunted reviewed
One of the many great things about The Capture was that we could never be sure whether the British authorities’…
A solid costume drama but Dame Helen has been miscast: Catherine the Great reviewed
It’s possibly not a great sign of a Britain at ease with itself that the historical character most likely to…
Abba, Twitter vs Instagram, and papal selfies: the modern face of the Catholic Church
As a lifelong Catholic, I’ve often thought that two of the Church’s chief characteristics are a) how weird it is…
I have no clue what’s going on, but can’t wait to find out: BBC1’s The Capture reviewed
How did the police ever solve any crimes before CCTV? That was the question which sprang to mind watching the…
The Octopus in My House left you with an overwhelming sense that octopuses are astonishing
Professor David Scheel, the presenter of a BBC2 documentary on Thursday, instantly brought to mind that American scientist in The…
A badly missed opportunity: How the Middle Classes Ruined Britain reviewed
BBC2’s How the Middle Classes Ruined Britain (Tuesday) began rather promisingly. ‘I’m a working-class comedian who voted Leave,’ announced presenter…
Reminds you how uncomplicatedly thrilling the first moon landing was: BBC2’s 8 Days reviewed
As the title suggests, 8 Days: To the Moon and Back (BBC2, Wednesday) comprehensively disproved the always questionable idea put…
Shameless and corny: ITV’s Beecham House reviewed
ITV’s new drama Beecham House is set in late 18th-century India where the British and French were still battling it…
Donald Trump and the politics of Netflix
Given that there’s apparently no aspect of American life where culture wars don’t rage, the only surprise about Netflix’s latest…
The rollicking adventures of a real-life female sleuth
Susannah Stapleton’s erudite but hugely entertaining debut is a true-life detective story about the quest for a true-life detective. A…
Makes you wonder if you’ve got drunk without noticing: Wild Bill reviewed
Usually, the return of Killing Eve would be pretty much guaranteed to provide the most unconventional, rule-busting TV programme of…
Earth dying in five billion years I can deal with, but not a world-weary Brian Cox
When you see the opening caption ‘4.6 billion years ago’, it’s a pretty safe bet that you’re watching a programme…
A clunky exercise in box-ticking: Russell T. Davies’s Years and Years reviewed
These days, a common way of introducing radio news items is with the words ‘How worried should we be about…?’…
Did the makers of When I Grow Up have no qualms turning a small boy into a hate figure?
Channel 4’s When I Grow Up had an important lesson for middle-class white males everywhere: you’re never too young to…
