Mourning glory
On the face of it, Nick Cave & the Bad Seeds aren’t exactly a natural fit with the O2. Cave’s…
Playing it safe
BBC1’s latest Sunday-night drama The Last Post, about a British military base in Aden in 1965, feels like a programme…
Loose ends
On Sunday night, Holliday Grainger was on two terrestrial channels at the same time playing a possibly smitten sidekick of…
Second thoughts
I had planned to review David Mitchell and Robert Webb’s new Channel 4 sitcom Back without constantly referring to their…
For goodness’ sake
Most new Netflix series are greeted not merely with acclaim, but with a level of gratitude that the returning Christ…
We want them not to give us what we want: Radiohead at the Roundhouse reviewed
Radiohead have been at the top of the musical tree for so long now that it’s easy to forget what…
BBC1’s A Midsummer Night’s Dream seems deliberately designed to flush out purists
Spoiler alerts aren’t normally required for reviews of Shakespeare — but perhaps I’d better issue one before saying that in…
Ferdinand Mount picks out the plums nicely
Book reviews, John Updike once wrote, ‘perform a clear and desired social service: they excuse us from reading the books…
David Attenborough used to steal the animals he found in the jungle and take them home
Let me start this week with an admittedly hard quiz question: in 1954, how did the sudden illness of Jack…
Even the sternest Leavisite critic would find it hard to resist BBC2's Peaky Blinders
The big returning show of the week began with servants laying out the silverware at a large country house in…
Downton Abbey with epidurals: BBC2's Five Star Babies reviewed
Five Star Babies: Inside the Portland Hospital won’t, I suspect, have been a hard sell to BBC2’s commissioning editors. Childbirth…
BBC4’s Bob Geldof on WB Yeats was one of the best literary documentaries I’ve seen
In recent years there’s been a fashion for arts documentaries presented by celebs rather than boring old experts — presumably…
Was 1971 really the best ever year for music?
According to David Hepworth, the year he turned 21 was also the year when ‘a huge proportion of the most…
Line of Duty thinks – rightly – that there’s drama in the subsections of police acts
Which is better, British TV drama or American? A couple of years ago, merely asking the question would have had…
Doctor Thorne is pleasantly undemanding viewing
Every now and then, a costume drama comes along that’s so daringly unconventional as to make us re-examine our whole…
Phil Lynott, from Dublin teenager to rock'n'roll burnout
It’s often said that there are only seven basic plots in literature. When it comes to biographies of rock stars…
BBC1’s The Night Manager verges on parody
The Night Manager (BBC1, Sunday) announced its intentions immediately, when the opening credits lovingly combined weapons and luxury items. ‘Blimey,’…
Verging on the corny: Martin Scorsese’s Vinyl reviewed
Vinyl (Sky Atlantic) — the much-anticipated series, co-produced by Martin Scorsese and Mick Jagger, about the 1970s New York record…
Joan Bakewell: on socks, fridge magnets, teddy bears and such stuff
I don’t know if this counts as name-dropping, but I recently interviewed a boyhood friend of Elvis Presley’s in Tupelo,…
Murder, rape, sheep abuse: you won't feel short-changed by BBC1's Happy Valley
Judging from its website, Hebden Bridge’s tourist office considers the fact that BBC1’s Happy Valley is filmed in the town…
Back in Time for the Weekend gives the 1950s its usual kicking
When the time comes to make programmes looking back on the 2010s, I wonder which aspects of life today will…
Netflix's Making a Murderer is fascinating - but is it true?
On the face of it, the Netflix documentary serial Making a Murderer should only take up ten hours of your…
A morally dubious mix of Candid Camera and Fawlty Towers: Pushed to the Edge reviewed
Never a man tortured by self-doubt, Derren Brown introduced his latest special Pushed to the Edge (Channel 4, Tuesday) as…
Mississippi and the Delta are the high-tar, full strength Deep South
Explore Mississippi and the Delta before they’re rebranded, says James Walton
Dreams don’t have to make sense - but TV dramas do: Peter & Wendy reviewed
On the face of it, ITV’s Peter & Wendy sounded like a perfect family offering for Boxing Day: an adaptation…