‘Do black movies really not sell?’: Don Cheadle on Miles Ahead
Don Cheadle talks to Jasper Rees about the long, hard road to bringing Miles Davis’s life to the big screen
Quiet but potent film about the migrant experience: Dheepan reviewed
The French master film-maker Jacques Audiard has never been anywhere near Hollywood plot school. His films contain gathering menace —…
Sunset Song is close to masterly
Lewis Grassic Gibbon’s Sunset Song is the best-remembered title of a short career. Born in 1901, he was dead by…
Is television at its best when it mimics radio?
Not that long ago the BBC trumpeted a new Stakhanovite project to big up the arts in its many and…
Hunted blows a fresh breeze through the stale world of reality TV
Television used to employ entertainers to entertain the public. Back then you could count the channels on the fingers of…
Horridly magnificent - but real problems occur when anyone opens their mouth: Macbeth reviewed
Who goes to big-screen Shakespeare? Not theatre-goers much, and with reason. Apart from the odd corker by Kurosawa, arguably Olivier…
Palio exposes the bribery and violence that lies at the heart of Siena’s lawless ritual
Siena’s Palio is steeped in violence, bribery and corruption. But it matters to its people more than anything, says Jasper Rees
John Waters interview: ‘We can’t make fun of Bruce Jenner?’
No one does transgression like the filmmaker John Waters. Jasper Rees talks to him about political correctness, post-ops and pubes
Mad Max: Fury Road reviewed - your inner 12-year-old will be in heaven
No one goes slack-jawed in wonder at the movies any more. In our cyber-enabled times, kid designers can mega-pixelate any…
Top Five reviewed: Chris Rock hits rock bottom
The oeuvre of Chris Rock may not be fully known in this parish. He was the African-American stand-up who made…
Shirley Williams: Saving my mother from the scriptwriters
Jasper Rees talks to Shirley Williams about the forthcoming screen portrayal of her mother