The novels that became instant classics
In the world of books, a modern classic is an altogether more slippery thing than a classic: it must walk…
A smart take on literary London: Dead Souls, by Sam Riviere, reviewed
Sam Riviere has established himself as a seriously good poet who doesn’t take himself too seriously: his first collection, 81…
Family secrets: Life Sentences, by Billy O’Callaghan, reviewed
Despite innovative work by younger writers, there remains a prominent strain in Irish literature of what we might call the…
Young female Irish writers are setting a new trend in fiction
Publishers everywhere are looking for the new Sally Rooney, which is odd since as far as I know the old…
Another alien in our midst: Pew, by Catherine Lacey, reviewed
It needs authorial guts to write a novel in which details are shrouded, meaning is concealed and little is certain.…
The scars of public school: English Monsters, by James Scudamore, reviewed
‘James Scudamore is now a force in the English novel,’ says Hilary Mantel on the cover of English Monsters, which,…
Cosy, comforting and a bit inconsequential: Here We Are, by Graham Swift, reviewed
There’s something — isn’t there? — of the literary also-ran about Graham Swift. He was on Granta’s first, influential Best…
Baron Wenckheim’s Homecoming is a long, hard slog
The Hungarian writer László Krasznahorkai, who sounds like a sneeze and reads like a fever, is on a mission to…
I Will Never See the World Again, Ahmet Altan’s fourth book written from prison
There’s no getting away from that title. I will never see the world again. It catches your eye on the…
Stuck for something to read? Pick up a Penguin Classic
In 1956, after Penguin Classics had published 60 titles, the editor-in-chief of Penguin Books, William Emrys Williams, wondered: ‘How many…
The evil that men do
The first thing to say about Claudio Magris’s new novel is that it is, in an important sense, unreadable. There…