British architecture according to the Great Man school of history
Simon Jenkins seems excessively preoccupied with the flamboyant houses of the privileged, leaving his narrative tottering beneath the weight of gaudy swank
A familiar OE-led balls-up: Rory Stewart’s The Long History of Ignorance reviewed
In my next life I intend to have my brain removed in order to become a telly executive. You know:…
Notre Dame is an architectural nullity
Notre Dame is only important from a Shakespeare’s-birthplace point of view. Architecturally it is a nullity beside the cathedrals of…
How do our surroundings affect our health and happiness?
The Wellcome Trust puts on some of the most engaging exhibitions in London and holds in its permanent collection a…
The Bilbao effect
Twenty years ago I wrote of the otherwise slaveringly praised Guggenheim Museum in Bilbao: I’m in a minority of, apparently,…
Jonathan Meades on the postmodernist buildings that we must protect
Best of postmodernism: is that an oxymoron? Jonathan Meades thinks not
Is Julian Barnes right to think Lucian Freud will survive? Jonathan Meades thinks not
The subject of the least characteristic essay in this engrossing collection of meditations on painters, painters’ lives, painting and reactions…
How dedicated a fascist was Le Corbusier?
The ‘revelations’, 50 years after he drowned, that Le Corbusier was a ‘fascist’ and an anti-Semite are neither fresh nor…
Museum curators and art forgers are two of a kind: they’re both vain and self-deluded
Louis the Decorator and his chums in the antiques trade use the word ‘airport’ adjectivally and disparagingly. It signifies industrially…
The Heckler: Curators were once donnish scholars. Now they’re hip illiterates
As a purveyor of lairy souvenirs Venice outdoes even Lourdes. The scores of shops and booths that peddle this lagoonal…
Le French bashing has spread to France. Are things really that bad?
The popular sport has spread to France. Are things really that bad, wonders Jonathan Meades