Forget the The Reith Lectures. To understand the world listen to George the Poet
At last a podcast that takes the medium to its limit, created by someone who loves listening, understands how it…
The mosque where it’s the men who make the tea
On returning from a brief trip to Istanbul, where inside the mosques women are still very much kept to one…
Female contestants in Afghanistan’s X Factor are dicing with death
The cheering fans, the dramatic Hollywood-style drum rolls, the excitable host all sound just like The X Factor or The…
Why do we still use the Qwerty keyboard layout and not Dvorak?
‘Can you fly down this evening?’ she was asked by her boss in the Delhi office of the BBC. ‘Yes,…
Why was Something Understood cut?
It was never given the choicest slot in the schedule, airing first thing on Sunday morning with a repeat at…
The daunting, uplifting prose of The Psalms
As if in defiance of the BBC’s current obsession with programming designed to entice in that elusive young and modish…
The man who changed the sound of radio
He is said to ‘have changed the sound of speech radio’, not just by giving voice to those who until…
Art is often best experienced on the radio
At its best audio can be a much more visual medium than the screen. Making Art with Frances Morris (produced…
Listening to plays in a foreign language is a weirdly engaging experience
As the ravens circle around Broadcasting House in London’s West End, presaging difficult times ahead for BBC Radio, with less…
Is the increasing secularisation of funerals a good thing?
‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent…
Scala Radio is a real threat to Radio 2
It’s not surprising given the way that electronic communication has taken over so much of our daily business, minimising human…
A great example of how Radio 4 is using new technologies to enhance audio
‘It’s too familiar, too obvious,’ says Cathy FitzGerald at the beginning of her new interactive series for Radio 4, Moving…
I always come away more confused after listening to Moral Maze
Is it me or are we now faced (or perhaps I should say fazed?) much more often by stories in…
Why wasn’t Poetry Please in the Radio Times’s top 30 greatest radio shows of all time?
With the upsurge of listeners to Classic FM (now boasted to be 5.6 million listeners each week) and the imminent…
The story of the River Clyde
It sounds like something out of Dickens or a novel by Thackeray, a classic case of high-minded Victorian philanthropy, but…
The attempt to bring back topicality to Ambridge has been far too effective
It’s becoming clear that the travails afflicting all the major players in The Archers, Radio 4’s flagship drama, are intended…
Why the BBC International Playwriting Competition really matters
We don’t know whether ‘Aziz H’ listened to radio plays as he grew up in Yemen. In fact we don’t…
Zoë Ball has the voice and warmth but not so much the chat
Whether by accident or design, Zoë Ball took over the coveted early-morning slot on Radio 2 this week just as…
Neil MacGregor’s intense, impassioned new radio programme is shamelessly anti-Brexit
I suspect that whether or not you admire Neil MacGregor’s latest series for Radio 4, As Others See Us (produced…
How did the BBC’s podcast Unexpected Fluids ever get made?
You may have noticed the flood of podcasts that’s been pouring out of the BBC since the launch of its…
Listening to people talking about death can be strangely consoling
‘Without death,’ says Salena Godden, ‘life would be a never-ending conveyor belt of sensation.’ For her death is what gives…
The story of the cook who spent 10 years preparing food for those on death row
You don’t need headphones to appreciate, and catch on to, the unique selling point of radio: its immediacy, its directness,…
Is Michelle Obama a secret Archers fan?
I wonder what Michelle Obama, the former First Lady who remade that role in her own image, would make of…