Panning for music gold: The Catchers, by Xan Brooks, reviewed
They were known as song catchers: New York-based chancers with recording equipment packed in the back of the van, heading…
Mysteries and misogyny: The Empusium, by Olga Tokarczuk, reviewed
Tokarczuk revisits Thomas Mann’s masterpiece The Magic Mountain in this ‘health resort horror story’ set in a Silesian guesthouse on the eve of the first world war
Runaway lovers: The Heart in Winter, by Kevin Barry, reviewed
In 19th-century Butte, Montana, a reluctant new bride falls in love with the young man sent to photograph her – leading to violent retribution for the doomed couple
Dangerous secrets: Verdigris, by Michele Mari, reviewed
A lonely teenager on holiday in Italy befriends his grandparents’ elderly gardener and slowly coaxes out his painful memories of betrayals and reprisals during the war
Heart of Darkness revisited: The Dimensions of a Cave, by Greg Jackson, reviewed
Conrad’s classic is updated in this sinister tale of the US government’s involvement in a morally suspect virtual reality programme
Anonymous caller: This Plague of Souls, by Mike McCormack, reviewed
A man returns to his remote rural home after an absence – to be greeted not by his family but a sinister stranger on the telephone
Too close to home
Life in a comfortable modern flat with her husband and two young sons leaves Natsumi so depressed she thinks she’s losing her mind
Inside the Factory
When two teenage typists employed by Andy Warhol start tagging along to his amphetamine-fuelled parties, their lives spiral out of control
Day of vengeance
A festive gathering in the depths of rural France is fatally disrupted by a trio of sinister strangers
Bittersweet memories: Ti Amo, by Hanne Ørstavik, reviewed
This is a deceptively slim novel. Its 96 pages contain multitudes: two lives, past and present, seamlessly interwoven. The narrator,…
Dangerous liaisons: Bad Eminence, by James Greer, reviewed
Vanessa Salomon is an internationally successful translator. Clever, beautiful, privileged – ‘born in a trilingual household: French, English and money’…
Murder, suicide and apocalypse: Here Goes Nothing, by Steve Toltz, reviewed
Angus Mooney is dead. Freshly murdered, he’s appalled to find himself in an Afterworld, having always rejected the possibility of…
Lasting infamy: Booth, by Karen Joy Fowler, reviewed
Were it not for an event on the night of 14 April 1865, John Wilkes Booth would be remembered, if…
A wife for King Lear — J.R. Thorp imagines another Lady Macbeth
Shakespeare wastes no time on Lear’s backstory; we meet the brutal old autocrat as he divides his kingdom between two…
A 21st-century Holden Caulfield: The Book of Form and Emptiness, by Ruth Ozecki, reviewed
The world Ruth Ozeki creates in The Book of Form & Emptiness resembles one of the snow globes that pop…
Brave new virtual world: The Startup Wife, by Tahmima Anam, reviewed
Welcome to Utopia — not an idyllic arcadia but a secretive tech incubator in a Manhattan office block. Here a…
Ghosts of the past: The Field, by Robert Seethaler, reviewed
Give dead bones a voice and they speak volumes: George Saunders’s Lincoln in the Bardo was clamorous with the departed…
Two for the road: We Are Not in the World, by Conor O’Callaghan, reviewed
A father and his estranged 20-year-old daughter set off across France, sharing the driver’s cabin of a long-haul truck. This…
An unquiet life: There’s No Such Thing as an Easy Job, by Kikuko Tsumura, reviewed
Kikuko Tsumura is a multi-prizewinning Japanese author whose mischievously deceptive new novel takes us into what purports to be the…
As intricate as an origami sculpture: The Lost Future of Pepperharrow reviewed
Steampunk, a shapeshifting and unpredictable genre, has a way of subverting the past, mischievously disordering the universe with historical what-ifs.…
Is it a Rake’s or a Pilgrim’s Progress for Rob Doyle?
‘To live and die without knowing the psychedelic experience,’ says the narrator of Threshold, ‘is comparable to never having encountered…
You’d never believe what goes on in the Sainsbury’s car park
Psychogeography takes many forms: Sebaldian gravitas, Will Self’s provocative flash and dazzle and Iain Sinclair’s jeremiads for lost innocence. Gareth…