Sexist, classist and pro-global warming: Frozen, at Theatre Royal Drury Lane, reviewed
Frozen the musical declares war on woke politics. The 2013 Disney movie has been turned into a song-and-dance show that…
Tsunami of piffle: Rockets and Blue Lights at the Dorfman Theatre reviewed
Deep breath. Here goes. Winsome Pinnock’s new play about Turner opens with one of the most confusing and illogical scenes…
Glib and snarky: Andrew Lloyd Webber's Cinderella, at Gillian Lynne Theatre, reviewed
It’s a rum beast the new Andrew Lloyd Webber musical. Cinderella is set in Belleville, a European city of 18th-century…
Captures the rapturous gaiety of the original: Globe's Twelfth Night reviewed
The new Lily Allen vehicle opens in a spruced-up terrace in the East End. Allen plays a self-satisfied yuppie, Jenny,…
How we killed comedy theatre: Nigel Planer interviewed
Lloyd Evans talks to Nigel Planer about the death of comedy theatre — and how he’s trying to revive it
Homeric levels of misery: Paradise, at the Olivier Theatre, reviewed
The National Theatre has given Sophocles’s Philoctetes a makeover and a new title, Paradise. This must be ironic because the…
The death of the Edinburgh Fringe
Lloyd Evans finds the newly returned Edinburgh Fringe quieter, more low-key — and all the better for it
Sinatra, Bacon and a YouTube star: Edinburgh Fringe Festival round-up
Sinatra: Raw (Pleasance, until 15 August) takes us inside the mind of the 20th century’s greatest crooner. The performer, Richard…
Ian McKellen is riveting: Hamlet, at Theatre Royal Windsor, reviewed
Ian McKellen in his early eighties plays the Dane in his mid-twenties. A production with such a strange innovation should…
One for hardcore Tennessee Williams fans only: The Two Character Play reviewed
It can be difficult to remember that Tennessee Williams, the great songster of the Deep South during the 1950s, was…
What a comic treat: The Game of Love and Chance at the Arcola reviewed
Lady Sylvia is a gorgeous aristocrat whose hand is sought by the charming Dorante whom she has never met. To…
A shrill, ugly, tasteless muddle: Romeo & Juliet reviewed
What shall we destroy next? Romeo & Julietseems a promising target and the Globe has set out to vandalise Shakespeare’s…
This play is a wonder: Bach & Sons at the Bridge Theatre reviewed
Bach & Sons opens with the great composer tinkling away on a harpsichord while a toddler screeches his head off…
Staged: a handful of VIP events is no substitute for normality
Uncertainty is crippling our cultural life
Enjoyable in spite of the National's best efforts: Under Milk Wood reviewed
Before the National Theatre produced Dylan Thomas’s Under Milk Wood they had to make a decision. How could they stuff…
Corbyn: A deity has fallen
Jeremy Corbyn’s brand is slipping. Yesterday, supporters of his Peace and Justice movement joined a much larger demo in London…
This interactive Doctor Who show is as bombastic, fey and tedious as the TV series
Death of a Black Man is a little-known script from the 1970s written by Alfred Fagon who suffered a fatal…
Godot Is a Woman will have you laughing all evening and arguing all night
Godot Is a Woman opens with three tramps standing on a bare stage beneath a solitary upright. This isn’t Samuel…
Two hours of kitsch tomfoolery: Amélie at the Criterion reviewed
The latest movie to turn into a musical is Amélie, from 2001, about a Parisian do-gooder or ‘godmother of the…
A Shakespeare play at the Globe whose best features have nothing to do with Shakespeare
Back to the Globe after more than a year. The theatre has zealously maintained its pre–Covid staffing levels. On press…
A brilliant, tense, ragged slice of drama: Waiting for Lefty reviewed
A Russian Doll is a monologue about Putin’s campaign to swing the Brexit vote in his favour. It stars Rachel…
A last hurrah for the Zoom play
Lockdown is about to end but some theatres are gripped by cabin fever and want to explore the two new…
Sir Keir was defeated by his own strategy at PMQs
The great thing about being trashed in the polls is that the tiniest improvement looks like a triumphant comeback. At…
Clever, funny and fearless: Good Girl at Soho Theatre online reviewed
A new work by Alan Bennett features in Still Life, a medley of five ‘untold stories’ from Nottingham Playhouse. The…
Do theatres actually read scripts before agreeing to stage them?
Money is a new internet play about financial corruption starring Mel Giedroyc. She appears on-screen for less time than it…
