Xenophobic twaddle: Bush Theatre's 2036 reviewed
The Bush Theatre’s new strand, 2036, opens with a monologue, Pawn, which takes its name from the most downtrodden piece…
Why do theatres think audiences want Covid-related drama?
Hats off to the Orange Tree Theatre in Richmond. They’ve discovered a new form of racism. Some people say we…
Theatre's final taboo: fun
The stage has become a pleasure-free zone in which snarling dramatists fight over their pet political causes, says Lloyd Evans
This comedy duo should be on Netflix: General Secretary reviewed
General Secretary is a new drama with a dull title and an off-putting poster. A pair of angry women in…
A fantastic online show of Euripides's take on Helen of Troy
Everyone knows Helen of Troy. The feckless sex popsicle betrayed her husband, Menelaus, and ran off with the dashing Paris,…
If you want a play that brings girls into science, commission a man: Jina and the STEM Sisters reviewed
Jina and the STEM Sisters is a blatant act of propaganda. And its intentions are excellent. This is a musical…
Promising material squandered: BKLYN – The Musical reviewed
BKLYN — The Musical gives itself a headache for no reason. What does ‘BKLYN’ mean? Perhaps it’s a random jumble…
There's the kernel of a good show in this copycat Hamilton: Treason the Musical reviewed
Copycat Hamiltons are everywhere. Lin-Manuel Miranda led the way by turning an unexamined corner of history into a smash-hit show.…
Grotesquely plodding: Late Night Staring At High Res Pixels reviewed
The Finborough’s new show is a love story with the male partner absent. Two women, one Irish and one American,…
Ben Shapiro's battle with Hollywood
The sacking of Gina Carano is still creating waves in Hollywood. The martial artist turned movie actress was dropped from…
Unhappy blend of melodrama and allegory: Southwark Playhouse’s The Sorcerer’s Apprentice reviewed
The Sorcerer’s Apprentice is a musical fantasy set in a Nordic town near the Arctic circle. Johan is a magician…
Even Adrian Lester's sweetness, grace and nobility can't rescue Almeida's Hymn
The Almeida is fighting back against lockdown with a sprawling family drama about two long-lost siblings. Adrian Lester plays Gilbert…
This fabulous play is like a Chekhov classic: The One Day in the Year reviewed
The One Day In the Year is an Australian drama about the annual commemoration of the Gallipoli campaign in 1915.…
Bryan Fogel on turning Jamal Khashoggi’s murder into a film
Bryan Fogel seems to have done it all. It’s hard to think of a showbiz figure with a more varied…
Perfect to fall asleep to: Good Grief reviewed
Good Grief is a new drama starring Sian Clifford who shot to fame as the older sister in Fleabag. The…
Netflix should turn this into a series: Southwark Playhouse’s Fabulist Fox Sister reviewed
The Fabulist Fox Sister is a one-man show about the three American women who are credited with inventing the trade…
How Facebook became a freedom-gobbling corporate monster
Southwark Playhouse is beating the latest lockdown with a zingy new musical about social media. The performers, Francesca Forristal and…
Actors will be in trouble if the Bridge Theatre's latest experiment catches on
Flight has been hailed as a new form of dramatic presentation — prefab theatre. It’s great to look at. A…
Stick it on the BBC: Love Letters at Theatre Royal Haymarket reviewed
Love Letters by A.R. Gurney began life as an epistolary novella about two childhood friends, Andy and Melissa, whose on-off…
Deserves to be a permanent winter fixture: Potted Panto at the Garrick reviewed
Potted Panto is a 70-minute parody presented by two burlesque comedians. Jeff is a tall, playful bungler and his colleague,…
Like eating 58 luxury chocolates: The Flying Lovers of Vitebsk reviewed
The Flying Lovers of Vitebskbegins with a phone conversation between a pretentious art critic and a man called Marc. This…
Absorbing and beautifully designed: Jane Eyre reviewed
Blackeyed Theatre is another victim of the virus. Its production of Jane Eyrewas midway through a UK tour, and due…
Skilful and riveting: Poltergeist at the Southwark Playhouse reviewed
Sasha is angry. He’s a gay artist on his way to his niece’s birthday party and he keeps popping codeine…
As an essay in cheap comedy the show is a great success: Emilia reviewed
Emilia is a period piece about Emilia Bassano who may have been the ‘dark lady’ of Shakespeare’s sonnets. The writer,…
Racists will love it: National Theatre's Death of England – Delroy reviewed
Death of England: Delroy is a companion piece to Death of England, which ran in February at the NT and…
