Finally a lockdown drama that will endure: James Graham's Bubble reviewed
Theatres can open if they want to. That’s the current position. The only factor keeping a playhouse dark is a…
The mix of slapstick and sermonising is certainly original: In Bad Taste reviewed
In Bad Taste is a slapstick comedy about five female terrorists who murder the governor of the Bank of England.…
The jackboot zealotry of ushers is ruining theatre
Southwark Playhouse has revived an American show, The Last Five Years, whose run was cancelled in March. In advance, I…
Enjoyable but hardly classic Alan Bennett: The Outside Dog & The Hand of God reviewed
The season of Alan Bennett’s Talking Heads continues at the Bridge. In The Hand of God we meet Celia, a…
Inside the anti-lockdown rally
The anti-lockdown rally at Trafalgar Square was organised by Save Our Rights UK. This embryonic organisation is so new that…
Brilliantly performed twaddle: Old Vic’s Faith Healer reviewed
The Old Vic refuses to reopen. Director Matthew Warchus says the social distancing rules make it impossible for him to…
Covid marshals are killing theatre: The Shrine & Bed Among the Lentils reviewed
Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up…
What I learnt as an Oxford vaccine guinea pig
Was the Oxford vaccine trial paused? Mine wasn’t. I signed up for it last week, in the 55 to 69-year-old…
An investor should snap up this weepy musical: Sleepless reviewed
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin…
Defund theatres – and give the money to gardeners and bingo halls
Why does the state fund theatres and not gardening and bingo, asks Lloyd Evans
‘It’s not a crime to understand science': Behind the scenes at Extinction Rebellion
There was plastic aplenty at today’s Extinction Rebellion rally in Parliament Square. Plastic shoes, plastic badges, plastic sunglasses, plastic phone covers. A…
Edinburgh Festival is in ruins – but there's one gem amid the rubble
The virus has broken Edinburgh. The shattered remnants of the festival are visible on the internet. Here’s what happened. The…
How No. 10 outsmarted Alastair Campbell
LBC broadcaster Iain Dale has moved his Edinburgh Festival ‘All Talk’ series to Zoom, and yesterday he spoke to Alastair…
The New Normal Festival shows how theatre could return
So the madness continues. Planes full of passengers are going everywhere. Theatres full of ghosts are going bust. My first…
From riveting Hitchockian melodrama to bigoted drivel: BBC’s Unprecedented reviewed
Back to the West End at last. After a four- month lay-off, I grabbed the first available chance to catch…
Theatres can now reopen – but they will resemble prison camps
Auditoriums can now reopen — but they will resemble prison camps, says Lloyd Evans
RSC’s Merchant of Venice is full of puzzling ornaments and accents
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade…
Italy owes Wales reparations for the wrongs of the Roman Empire
There’s talk of reparations in the air. Lobbyists from around the world are demanding sin-payments from former colonial powers. Let…
James Graham's small new drama is exquisite: BBC Four's Unprecedented reviewed
Let’s face it. Theatre via the internet is barely theatre. It takes a huge amount of creativity and inventiveness to…
Starmer’s weaknesses are on show at PMQs
Keir-mania. Is it possible? Can we imagine it? Stadiums full of besotted voters chanting his name in frenzies of adoration.…
Not even a genius could make Much Ado About Nothing funny
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
Racial sensitivity training turned me into a confused racist
The Black Lives Matter movement has put racial sensitivity at the top of the agenda. A new atmosphere of moral…
Chaotic, if good-natured, muddle: Hytner’s Midsummer Night’s Dream reviewed
Nicholas Hytner’s A Midsummer Night’s Dream opens in a world of puritanical austerity. The cast wear sombre black costumes and…