Paapa Essiedu is a dazzling, all-encompassing prince: RSC’s Hamlet reviewed
The Beeb has released Simon Godwin’s Hamlet staged by the RSC in 2016. The director makes one major change and…
The Madness of George III is much easier to like than King Lear
The longest interval in theatre history continues. Last week the National Theatre livestreamed a 2018 version of The Madness of…
Keir Starmer has no idea how to use normal language
A testy, ill-tempered PMQs. Sir Keir Starmer began by welcoming the anti-viral breakthrough achieved by British scientists. He got an…
As a lyricist, Ian Dury had few equals in the 20th century
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
So good and so raw that avoiding it might be the wisest course: Sea Wall reviewed
Sea Wall, by Simon Stephens, is a half-hour monologue about grief performed by Andrew Scott. The YouTube clip has been…
Like a project the BBC might have considered 30 years ago and turned down: The Understudy reviewed
Hats off to the Lawrence Batley Theatre for producing a brand-new full-length show on-line. Stephen Fry, with avuncular fruitiness, narrates…
The best Macbeths to watch online
The world’s greatest playwright ought to be dynamite at the movies. But it’s notoriously hard to turn a profit from…
Keir Starmer's big weakness was exposed at PMQs
It has come down to a classroom contest. The swot versus the wag. The smart Alec against the rugger captain.…
The National Theatre’s live-streaming policy is bizarre
The National’s bizarre livestreaming service continues. On 7 May, for one week only, it released a modern-dress version of Antony…
How Tom Stoppard foretold what we’re living through
A TV play by Tom Stoppard, A Separate Peace, was broadcast live on Zoom last Saturday. I watched as my…
Worth watching for the comments thread alone: NT's Twelfth Night livestream reviewed
‘Enjoy world-class theatre online for free,’ announces the National Theatre. Every Thursday at 7 p.m. a play from the archive…
The best theatre of the 21st century
Not looking great, is it? Until we all get jabbed, theatres may have to stay closed. And even the optimists…
Reflections on isolation: the first lockdown dramas reviewed
High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the…
Absorbing and meticulously researched play about Partition: Drawing the Line reviewed
Theatres have taken to the internet like never before. Recorded performances are being made available over the web, many for…
Ill-disciplined and self-indulgent: The Guilty Feminist podcast reviewed
With theatres shut, radio must lighten the darkness. The Guilty Feminist is a wildly popular podcast performed by Deborah Frances-White…
War and plague have menaced theatres before, but rarely on this scale
War and plague have menaced theatres before, but rarely on this scale, says Lloyd Evans
A mesmerising piece of theatre: On Blueberry Hill reviewed
On Blueberry Hill sounds like a musical but it’s a sombre prison drama set in Ireland. Two bunkbeds. Above, an…
Two gentlemen of corona: the scientists helping to fight Covid-19
Boris Johnson’s medical wingmen
Corpse! really is as good as everyone says it is
Here’s the problem. Much communication is done online, especially by youngsters, and much drama focuses on communication. So how do…
Unimpressive: The Prince of Egypt reviewed
The Prince of Egypt is a musical adapted from a 1998 Dreamworks cartoon based on the Book of Exodus. So…
Comedy gold: The Upstart Crow at the Gielgud Theatre reviewed
A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London,…
Why foreign-language series will always have the edge over American ones
An office worker stands on the ledge of an open window about to leap. Two colleagues enter, ignoring him completely.…
A brilliant, unrevivable undertaking: Tom Stoppard’s Leopoldstadt reviewed
History will record Leopoldstadt as Tom Stoppard’s Schindler’s List. His brilliant tragic-comic play opens in the Jewish quarter of Vienna…
A terrific two-hander that belongs at the National: RSC's Kunene and the King reviewed
The Gift is three plays in one. It opens in a blindingly white Victorian parlour where a posh lady, Sarah,…
‘We will never return, there is no going back’: the Brexit Day party, as it happened
Remainers were there too. The first people I met at the Brexit Day festivities were opposed to the whole idea.…
