Donmar’s Henry IV: Phyllida Lloyd has nothing but contempt for her audience
The age of ‘ladies first’ is back. Phyllida Lloyd reserves all the roles for the weaker sex, as I imagine…
Were the cast of the Old Vic’s Electra clothed by Oxfam?
First, a bit of background. Conquering Agamemnon slew his daughter, Iphigenia, in return for a fair wind to Troy. This…
Will Marti Pellow attract enough tipsy hen parties to Evita to flog all 18,000 seats?
Tim and Andy are back. Their monster hit Evita opens the fully refurbed and re-primped Dominion Theatre, which is built…
Charles III is made for numbskulls by numbskulls
Suppose Charles were to reign as a meddlesome, self-pitying, indecisive plonker. It’s a thought. It’s now a play, too, by…
If you have teenage boys who loathe the very idea of theatre, send them to The Play That Goes Wrong
It’s taken a while but here it is. The Play That Goes Wrong is like Noises Off, but simpler. Michael…
Can the Scots really be as small-minded, mistrustful and chippy as Spoiling suggests?
Referendum fever reaches Stratford East. Spoiling, by John McCann, takes us into the corridors of power in Holyrood shortly after…
Bent bureaucrats, ‘fake dykes’ and bad bakers — this week’s theatre
Eye of a Needle, by newcomer Chris MacDonald, looks at homosexuality and asylum. Gays from the Third World, who’ve suppressed…
Dolts, Doormats and FGM: theatre to make you physically sick
Wow. What an experience. A 1991 movie named Dogfight has spawned a romantic musical. We’re in San Francisco in 1963.…
Alex Salmond has already lost — if the Edinburgh Festival is anything to go by
Lloyd Evans tours the Edinburgh Festival in search of clues about the outcome of the referendum
An innocent graduate of Operation Yewtree, Jim Davidson, dazzles in Edinburgh
Let’s start with a nightmare. Wendy Wason, an Edinburgh comedienne, travelled to LA last year accompanied by her husband, who…
The best of the Edinburgh Fringe
Rain whimpers from Edinburgh’s skies. The sodden tourists look like aliens in their steamed-up ponchos as they scurry and rustle…
Sorry, Gillian Anderson, but you've caught the wrong Streetcar
Streetcar. One word is enough to conjure an icon. Tennessee Williams’s finest play, written in the 1940s, is about a…
3,000 acts and no quality control – why the Edinburgh Fringe is the greatest (and patchiest) arts festival in the world
And they’re off. The mighty caravan of romantic desperadoes, radical egoists, stadium wannabes, struggling superstars and vanity crackheads is on…
Let’s face it, Greek tragedy is often earnest, obscure or boring. Not this Medea
Carrie Cracknell’s new version of Medea strikes with overwhelming and rather puzzling force. The royal palace has been done up…
When Mr and Mrs Clever-Nasty-and-Rich met Mr and Mrs Thick-Sweet-and-Poor
Torben Betts, head boy at Alan Ayckbourn’s unofficial school of apprentices, has written at least a dozen plays I’ve never…
Richard Bean doesn’t believe in humans - just weasels, snakes, rats and vultures
Mr Bean, one of our greatest comic exports, has an alter ego. The second Mr Bean, forename Richard, is the…
Isn’t it time we asked the National Theatre to support itself?
Isn’t it time we asked the National Theatre to support itself? Lloyd Evans says yes
The sweating, dust-glazed saints at the Hampstead Theatre tells us nothing new about the miners’ strike
Hampstead’s new play about the 1984 miners’ strike was nearly defeated by technical glitches. Centre stage in Ed Hall’s production…
Fashion Victim – the Musical!: daft camp with a warm heart
Fashion Victim — the Musical!. There’s a title that’s been waiting to be used for ages. The Cinema Museum is…
Mark Benton’s Hobson spares us nothing in his journey from rooftop to gutter
Nice one, Roy. Across the West End secret toasts are being drunk to the England supremo for his exquisitely crafted…
Alex Jennings interview: the new Willy Wonka on Roald Dahl’s ‘child killer’
Alex Jennings, the new Willy Wonka, tells Lloyd Evans why Dahl’s ‘misanthropic world’ is fascinating to inhabit
Did Turgenev foresee Russia’s Stalinist future?
Fans of Chekhov have to endure both feast and famine. Feast because his works are revived everywhere. Famine because he…
The Globe's larf-a-minute Antony and Cleopatra
It’s hilarious. It’s also annoying that it’s so hilarious. Jonathan Munby’s earthy and glamorous production of Antony and Cleopatra goes…
When the big-boobed whisky monster met the upper-class snoot
Lionel is a king of the New York art scene. An internationally renowned connoisseur, he travels the world creating and…
Joan Littlewood has a lot to answer for – but Fings Ain't With They Used T'Be' makes up for it
Joan Littlewood’s greatest disservice to the theatre was to champion ‘the right to fail’, which encouraged writers and directors to…
