Could she be the new Sade? Celeste at Union Chapel reviewed
Some years ago, when I was the music editor of a newspaper, I called a number of historians of black…
The real death of rock
What would a rock band have to do now to be seen as heralding the future? Twenty years ago, it…
The joys of musical comfort food
I’ve given up comfort food. I’m trying to shift lockdown pounds that have left me with the physique of the…
Wispy, gauzy beauty: This Is The Kit, Barbican, reviewed
On the way home from This Is The Kit’s show at a socially distanced Barbican, I listened to Avalon by…
A perfect welcome back to live music: Sarathy Korwar at Kings Place reviewed
There is a reason music writers tend to stick with music writing rather than transferring their manifold talents to the…
‘I’m not interested in moral purity’: St Vincent interviewed
Michael Hann talks to St Vincent about Sheena Easton, Stalin and performing in five-inch heels
Watch kids go giddy in Niamey: Mdou Moctar live in Niger reviewed
The other week someone posted on Twitter a link to a YouTube clip titled ‘Family Lotus and D.J. Cookin’ at…
Moments of pure wonder: Folk Weekend Oxford reviewed
Has any musical moment extended its tendrils in so many unexpected directions as the English folk revival of the mid-1960s?…
The songs are still as fresh and appetising as a hot loaf: The Lightning Seeds livestream reviewed
One thing about a streamed festival is that the toilets are better than at the real thing. The other thing,…
Reminiscent of Roxy Music’s cocktail sound: The Weather Station reviewed
One of the unforeseen consequences of the rise of streaming was a change in the very structure of the pop…
Revelatory and grubby: Framing Britney Spears reviewed
The most headline-grabbing of these three pop docs was Framing Britney Spears, part of the New York Times Presents documentary…
The death of the mainstream band: Black Country, New Road reviewed
Twitter was awash with mockery last week, after Adam Levine, the singer of the American group Maroon 5, was interviewed…
'I like upsetting people': Steven Wilson interviewed
Michael Hann talks to the cult rock star Steven Wilson about why it’s harder to write a pop song than prog
Epic prog rock without the widdly-woo solos: Mogwai at the Tramway reviewed
You very possibly know the music of the Glaswegian band Mogwai, even if you don’t think you do. You might…
Makes me nostalgic for an era when music was more than a click away: Teenage Superstars reviewed
In Teenage Superstars, a long and slightly exhausting documentary about the Scottish indie scene of the 1980s and ’90s, there…
Proudly ridiculous and wholly glorious: KLF's Solid State Logik reviewed
Grade: A What a miracle the KLF were: an elaborate practical joke at the expense of the music industry, seemingly…
Meet the front man of ‘the most revolting band in the world’
Michael Hann talks to Corey Taylor, front man of ‘the most revolting band in the world’, about PTSD, Donald Trump and life after alcoholism
One of the few genuine British visionaries at work today: Richard Dawson at the Barbican reviewed
How hard must it be to make music that sounds like no one else? And how unrewarding, often, as well?…
There’s a magic to hearing music in such small audiences: Divine Comedy reviewed
Three shows in a week! Why, it was just like the first week of March. There was, however, little of…
'Cocaine addiction is time-consuming': the rise and fall of Kevin Rowland and Dexys
Michael Hann talks to Kevin Rowland about Dexys, insecurity and the cocaine years
The people who were idiots at gigs in early March are still idiots
Is the world ready for the return of live rock music? On the evidence of the first gig in London…
The problem with livestreaming heavy metal? No moshpits
There was only so long anyone could put up with the live musical performances of the early days of lockdown:…
Dysfunctional music for dysfunctional people: The Public Image is Rotten reviewed
A star is born, but instead of emerging into the world beaming for the cameras, he spits and snarls and…
The power of cheap music: pop podcast round-up
Noël Coward was so right that his words have become a cliché: it is indeed extraordinary how potent cheap music…
Joyous and very, very funny: Beastie Boys Story reviewed
The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on…
