Shiny, raunchy, heartless spectacular: Platée, at Garsington, reviewed
Fast times on Mount Olympus. Jupiter has been shagging around again and now his wife Juno has bailed on their…
When Fauré played The Spectator
Gabriel Fauré composed his song cycle La bonne chanson in 1894 for piano and voice. But he added string parts…
Bristol’s new concert hall is extremely fine
Bristol has a new concert hall, and it’s rather good. The transformation of the old Colston Hall into the Bristol…
Meet the man who says improvisation is the key to Mozart
In August 1993, the pianist Robert Levin sat down in Walthamstow Assembly Rooms with the conductor Christopher Hogwood and the…
Across Britain punters are lapping up ultra-trad opera – the Arts Council will be disgusted
Another week at the opera, another evening with an elitist and ethically dubious art form. I love it; you love…
You could have built a tent city from all the red chinos: Aci by the River reviewed
The Thames cruise for which Handel composed his Water Music in 1717 famously went on until around 4 a.m. The…
Baffling and vile: ETO’s Manon Lescaut reviewed
In 1937, John Barbirolli took six pieces by Henry Purcell and arranged them for an orchestra of strings, horns and…
What would Tanner say?
On the train home from the Royal Festival Hall I learned of the death of Michael Tanner, who wrote this…
The composer of dog-food ads who also wrote one of the most original cycles of British symphonies
Next month in London, they’re celebrating a composer you’ve probably never heard of, but whose work you’re sure to have…
