Sara Veale

An awesome and hilarious display: Rambert's Rooms reviewed

17 April 2021 9:00 am

Social distancing continues to put the kibosh on large-scale productions, but Jo Stromgren has a nifty workaround in Rooms, which…

Zippy and stylish, with a glint of mischief: William Forsythe’s The Barre Project reviewed

3 April 2021 9:00 am

In the early Noughties there was a Hollywood subgenre (by which I mean a few cult movies, each with terrible…

Tranquil, silky and serene: Birmingham Royal Ballet’s Lazuli Sky reviewed

7 November 2020 9:00 am

When Carlos Acosta was named artistic director of Birmingham Royal Ballet in January of this year, he announced ambitious plans…

Vigour and verve from a unique new Rite of Spring: Dancing at Dusk reviewed

8 August 2020 9:00 am

Dancing at Dusk captures the final rehearsal of a new version of Pina Bausch’s The Rite of Spring. It’s only…

Sensual and silky: the Royal Ballet returns to Covent Garden

27 June 2020 9:00 am

Wayne McGregor’s Morgen! and Frederick Ashton’s Dance of the Blessed Spirits are the first pieces of live dance — streamed…

The genius of Martha Graham

30 May 2020 9:00 am

If eight weeks in lockdown have brought out my baser impulses (biscuits by the sleeve, total renunciation of waistbands), it’s…

Watching dance online is an advantage, not a concession: BalletBoyz – Deluxe reviewed

11 April 2020 9:00 am

Another day in isolation, another bid to find joy in my lone state-sanctioned walk. (Pro tip: stay out longer than…

A bruising encounter: Pina Bausch's Bluebeard reviewed

29 February 2020 9:00 am

Pina Bausch’s best work always hovered between the familiar and the unknown. The late choreographer revelled in borders and thresholds,…

Rambert's latest uses the migrant crisis for superficial intrigue: Aisha and Abhaya reviewed

7 February 2020 10:00 pm

The January dance stage can be a site of naked contrition. Like a tippler grasping at green juice after a…