How the war on Roe was won
When did it become certain that American women’s abortion rights would fall? The Supreme Court’s ruling that ‘Roe was egregiously…
A flawed utopia: The Men, by Sandra Newman, reviewed
The problem for feminism is men. Not, specifically, in the sense that men are the source of women’s problems, although…
Margaret Atwood seems embarrassed by the sheer volume of her output
Margaret Atwood is among the major writers of English fiction of our time. This is a very boring way to…
Who’s to blame if Britney Spears has been ‘devoured’ by celebrity?
All the questions around Britney Spears can be condensed into this one: who should we blame? For a long time,…
First love: The Inseparables, by Simone de Beauvoir, reviewed
‘Newly discovered novel’ can be a discouraging phrase. Sure, some writers leave works of extraordinary calibre lurking among their effects…
Lucy Ellmann is angry about everything, especially men
Is Lucy Ellmann serious? On the one hand, yes, very. The novel she published before this collection of essays was…
The man who made Manhattan: The Great Mistake, by Jonathan Lee, reviewed
What makes a city? The collective labour of millions packed into its history; the constant forgetting of incomers who arrive…
Joan Didion’s needle-sharp eye never fails
Most collections of journalism are bad. There are two reasons for this: one is that they are usually incoherent and…
Claire Messud helps us see the familiar with new eyes
The title of this collection of journalism is a problem. Not the Kant’s Little Prussian Head bit, which, though opaque,…
From bashful teenager to supermodel: Susanna Moore’s fairytale memoir
There’s a kind of writing about LA that I am a sucker for. Gossipy, lyrical, with a surface of affectless…
We don’t talk of a ‘working father’ — so why do we still refer to a ‘working mother’?
The phrase ‘working mother’ ought to be as redundant sounding as ‘working father’ would be if anyone ever said that:…
Annie Ernaux looks back at her teenage self – and sees a stranger
How can you recover the teenage girl you were? Not just recall the memories and recount the events — this…
The director of Persepolis talks about her biopic of Marie Curie: Marjane Satrapi interviewed
The director of Persepolis, Marjane Satrapi, talks to Sarah Ditum about her new biopic of Marie Curie, exile from Iran and her fears for the future of democracy
Patti Smith had a bad year in 2016
In the Chinese zodiac, 2016 was the year of the monkey, a trickster year full of the unhappy and the…
A New York state of mind – Doxology reviewed
Doxology covers five decades and a spacious 400 pages, with all the subplots and digressions you would expect of a…
The trail-blazing women writers of the 1960s were quite different from the male Angries
The accepted story of mid-20th century culture in Britain belongs to the boys: the British Invasion, Beyond the Fringe and…
Why are we so obsessed with Jack the Ripper, but care so little for his victims?
Before she was the subject of true-crime mythologising, Catherine Eddowes made her living from it, selling ballads based on real-life…
Caryl Phillips’s new novel manages to make Jean Rhys boring!
The problem with writing about writers — and a particular blight on the current vogue for autofiction — is that…
Kitty Marion: too radical even for the suffragettes
The suffragettes are largely remembered not as firestarters and bombers but as pale martyrs to patriarchy. The hunger artists refusing…
Who is Sylvia – what is she?
In May 1956, three months after meeting Ted Hughes, one before they will marry, Sylvia Plath writes to her mother…
Inside the mind of a murderer
For one week in July 2010, the aspiring spree killer Raoul Moat was the only news. ‘Aspiring’ because he didn’t…
In Crow’s dark shadow
A dead parent, the interrogation of a literary inheritance, and over everything, a bird: Max Porter is apparently unafraid to…
