Arts feature
The Church of the Holy Sepulchre contains terrible art – but is filled with magic
For a press tour of the Church of the Holy Sepulchre in Jerusalem – the Church of the Resurrection, the…
‘La Scala was maddening’: an interview with John Macfarlane, the finest set designer of his generation
Pantomime season is upon us, and unless your taste in colour runs no further than Smarties, there is no more…
‘When a work lands the excitement is physical’: William Kentridge interviewed
Watching William Kentridge’s film Self-Portrait as a Coffee-Pot is like being submerged inside his mind, inside the coffee pot maybe.…
Why is Fauré not more celebrated?
It is 100 years since the death of Gabriel Fauré, a composer whose spellbinding romantic tunes emerge from harmonies and…
William Morris’s debt to Islam
When William Morris was born in Walthamstow, in 1834, it was little more than a clump of marshland at the…
Much more than just a game: World of Warcraft at 20
On 23 November, the video game World of Warcraft celebrates its 20th anniversary. That’s no small thing. By most metrics,…
How a single year in Florence changed art forever
The story goes that one day early in the 16th century Leonardo da Vinci was strolling through Florence with a…
Could AI lead to a revival of decorative beauty?
In front of me is what appears to be an authentic Delft tile. The surface of the tile is mottled,…
The triumph of surrealism
When Max Ernst was asked by an American artist to define surrealism at a New York gathering of exiles in…
At Las Vegas’s Sphere I saw the future of live arts
Does Elon Musk have a good eye for the aesthetic? Earlier this month, the Tesla magnate took a break from…
‘Some pianists make me shake with anger’: Vikingur Olafsson interviewed
At the BBC Proms this year, an Icelandic pianist dressed like a Wall Street broker played a slow movement from…
How some of the most derided bands of all time are making a comeback
The fate of the pop musician – at least the pop musician below the top tier of stardom – has…
Who should win the Stirling Prize?
The Stirling Prize is the Baftas for architects, a moment for auto-erotic self-congratulation. Awarded by the Royal Institute of British…
How Michael Craig-Martin changed a glass of water into a full-grown oak tree
‘Of all the things I’ve drawn,’ Michael Craig-Martin reflects, ‘to me chairs are one of the most interesting.’ We are…
How claims of cultural appropriation scuppered an acclaimed new ballet
On 14 March 2020 I was at Leeds Grand Theatre for the première of Northern Ballet’s Geisha. The curtains swung…
The unstoppable rise of stage amplification
Recent acquisition of some insanely expensive hearing aids aimed at helping me out in cacophonous restaurants has set me thinking…
How did we ever come to accept the inhumane excesses of capitalism?
What was neoliberalism? In its most recent iteration, we think of the market seeping into every minute corner of human…
Immersive and spectacular: Piet Oudolf’s new borders at RHS Wisley reviewed
Piet Oudolf’s long borders at Wisley were worn out. The famous designer had in fact become a bit embarrassed by…
Edinburgh has turned into a therapy session
Therapy seems to be the defining theme of this year’s Edinburgh festival. Many performers are saddled with personal demons or…
The tragic fate of Ukraine’s avant-garde
In a recent interview Oleksandr Syrskyi, the new commander-in-chief of the Ukrainian army, said that he spends his time off…
Why Sir Arthur Conan Doyle believed in fairies
Sherlock Holmes fans will be delighted to know that there is a new play featuring the great man. In it…
Why I fell out of love with Wagner
It’s four years since I gave up opera criticism. The pandemic had struck, I had hit a significant birthday, and…
Forget monetary policy, the Bank of England’s greatest crime was architectural
In 1916 the Bank of England committed what Nikolaus Pevsner was to call the greatest architectural crime to befall London…