Arts feature
From the NHS to Bayreuth: Norman Lebrecht talks to midwife-turned-opera singer Catherine Foster
Every summer for the past six years, Bayreuth has risen to its feet to acclaim an English Brünnhilde. Catherine Foster,…
‘It could be a disaster’: Jim Broadbent talks to Stuart Jeffries about his latest role
‘I live completely anonymously,’ whispers Jim Broadbent down the phone from Lincolnshire. Nonsense, I counter. You’re one of the most…
The women who invented collage – long before Picasso and co.
The art-history books will tell you that sometime around 1912, Picasso invented collage, or, actually, perhaps it was Braque. What…
Cindy Sherman – selfie queen
The selfie is, of course, a major, and to me mysterious, phenomenon of our age. The sheer indefatigability of selfie-takers,…
Geoff Dyer on the poetry of motels
It’s to be expected. You take photographs in order to document things — Paris in the case of Eugène Atget…
Why has British art had such a fascination with fire?
‘Playing God is indeed playing with fire,’ observed Ronald Dworkin. ‘But that is what we mortals have done since Prometheus,…
The miracle of Longborough – the company that broke the mould for summer opera
At Longborough Festival Opera, Richard Wagner is on the roof. Literally: his statue stands on top of the little pink…
Quentin Tarantino on how spaghetti westerns shaped modern cinema
The movie that made me consider filmmaking, the movie that showed me how a director does what he does, how…
The new treasures of Pompeii
One afternoon in AD 79 an unusual cloud appeared above Vesuvius in the Bay of Naples. ‘It was raised high…
From haunted to haunter: the afterlife of W.G. Sebald
East Anglia, the rump of the British Isles, has inspired a disproportionate number of writers: Robert Macfarlane, Daisy Johnson, Mark…
How film fell for caliphs and slave girls
Most of Hollywood’s Arabian Nights fantasies are, of course, unadulterated tosh. The Middle East, wrote the American film critic William…
The joy of jousting
Emperor Maximilian I liked to say he invented the joust of the exploding shields. When a knight charged and his…
What makes British art British?
There’s no avoiding the Britishness of British art. It hits me every time I walk outside and see dappled trees…
Whitby Abbey is at the heart of Britain’s spiritual and literary history
The 199 steps up to the ruins of Whitby Abbey are a pilgrimage; they always have been. And any good…
Why were the Victorians so obsessed with the moon?
In Shakespeare’s A Midsummer Night’s Dream, a group of slightly ramshackle workmen decide to put on a play. The play…
My ringside seat on the Mary Quant revolution
I think I probably qualify as the oldest fashion editor in the world, because in spite of my advanced age…
The rise and rise of the holographic tour
In March 1968, Frank Zappa released an album called We’re Only in it for the Money. Presumably, then, Zappa —…
Toby Jones on the allure of the everyman – and the glamour of coach-driving
Toby Jones shuffles into the café in Clapham where we are meeting. He’s wearing a duffle coat and a hat…
Enjoy a blast of Spanish sun from Joaquin Sorolla
Artists can be trained, but they are formed by their earliest impressions: a child of five may not be able…
David Cairns explains how we learned to love Berlioz
According to his friend and fellow-composer Ernest Reyer, the last words Berlioz spoke on his deathbed were: ‘They are finally…
Here’s what I want from modern architecture, explains housing tsar Roger Scruton
The creation of a commission to examine beauty in new building created a stir in the media, with the chairman…
Meet India’s first – and only – professional western orchestra
It’s a 31ºC Mumbai morning, and on Marine Drive the Russian winter is closing in. The Symphony Orchestra of India…
How an anarchist music student become of the fashion greats: the life of Christian Dior
Strange to think when you visit the Christian Dior show at the V&A that his time as designer was so…
Dau is the strangest and most unsettling piece of art to come out of Russia in years
Dau is not so much a film as a document of a mass human experiment. The result is dark, brilliant…