Cinema
Convoluted, woeful mishmash with no central story: How to Talk to Girls at Parties reviewed
How to Talk to Girls at Parties is set in the 1970s and has punk as the backdrop and an…
Lean on Pete is a beauty
Andrew Haigh makes inaction films. Weekend (2011) tells of two young homosexuals getting to know each other in Nottingham. In…
Not like any serial-killer thriller you’ve seen before: Beast reviewed
When I first read that Beast is a serial-killer thriller my heart sank like a stone — yet more women…
Maxine Peake is blistering in Funny Cow
Two films about women this week. One, Funny Cow, is about a woman who daringly takes on men at their…
My knuckles went pure white and have yet to return to full colour: Custody reviewed
Custody is both social realism and a thriller and it’s terrific. It is smart, beautifully acted, never crass about the…
Plenty to wonder at – like who thought it was a good idea to make it: Wonderstruck reviewed
Wonderstruck is a film by Todd Haynes and you will certainly be struck by wonder, often. You will wonder at…
It was good but I preferred slurping my genitals: Deborah’s dog reviews Isle of Dogs
The latest film from Wes Anderson is a doggy animation set in a fantasy Japan and as there was a…
Unsensitive, Unhumane and Uncredible: Unsane reviewed
Steven Soderbergh’s latest film, Unsane, is a psychological thriller about a woman who is incarcerated in a psychiatric hospital even…
Original sin
This biopic of Mary Magdalene is a feminist retelling that may well be deserved but it’s so dreary and unremarkable…
Hammer horror
You Were Never Really Here is a fourth feature from Lynne Ramsay (Ratcatcher, Morvern Callar, We Need to Talk About…
I, Tonya is not quite a gold-medal masterpiece
Films about the Winter Olympics don’t grow on conifers. Twenty-five years ago there was Cool Runnings about the Jamaican bobsleigh…
Heavy-going and heavy-handed: Dark River reviewed
Dark River is the much-anticipated third feature from British writer/director Clio Barnard and it is one of those bleak, rural-…
I liked Shape of Water well enough but Lady Bird is where it’s at
Lady Bird is a semi-autobiographical film written and directed by Greta Gerwig with a plot synopsis that need not detain…
Devastating but also more involving than you’d ever think possible: Loveless reviewed
Andrey Zvyagintsev’s Loveless is, indeed, devastatingly loveless, as well as devastatingly pitiless, which does not sound hopeful. Yet it is…
Wonderfully fixating and wholly non-formulaic: Phantom Thread reviewed
Paul Thomas Anderson’s Phantom Thread is a lush psychosexual drama starring Daniel Day-Lewis as a pampered, tyrannical, pernickety 1950s couturier…
Downsizing throws away its brilliant premise
Downsizing is a film with the most brilliant premise. What if, to save the planet, we were all made tiny?…
You just can’t argue against Hanks and Streep: The Post reviewed
Steven Spielberg’s The Post, which dramatizes the Washington Post’s publication of the Pentagon Papers in 1971, doesn’t exactly push at…
Three Billboards is a hoot and a blast, which I never thought I’d say about a rape movie
Three Billboards Outside Ebbing, Missouri does, indeed, feature three billboards outside Ebbing, Missouri. They have been placed at the roadside…
Indulgent rather than stinging satire: Brad’s Status reviewed
Brad’s Status is a midlife crisis film starring Ben Stiller as a nearly 50-year-old man whose status anxiety is through…
If this is Aaron Sorkin’s riposte to those who criticise his portrayal of women, God help us
Molly’s Game marks the directorial debut of Hollywood’s most celebrated screenwriter, Aaron Sorkin, and is based on his adaptation of…
My favourite frum film of the year – thus far: Menashe reviewed
Menashe is a drama set amid Brooklyn’s ultra-orthodox Hasidic community. It is performed entirely in the Yiddish language. It is…
The heart is unstirred in Haneke’s morose critique of a fractured society: Happy End reviewed
The films of Michael Haneke wear a long face. Psychological terror, domestic horror, sick sex, genital self-harm — these are…
It will amply satisfy all your comeuppance needs: Battle of the Sexes reviewed
Battle of the Sexes recreates the famed, culture-changing 1973 tennis match between 55-year-old Bobby Riggs, a self-proclaimed chauvinist, and 29-year-old…
If Annette Bening isn’t Oscar-nominated, I’ll eat my hat and also yours
Film Stars Don’t Die in Liverpool is plainly wonderful, and stars Annette Bening, who is plainly wonderful, as Gloria Grahame,…
The Florida Project never sanctifies or demonises and is absorbing throughout
The Florida Project is a drama set in one of those cheap American motels occupied by poor people who would…
