Dance
Proper tutus, gorgeous designs, first-rate dancing: Royal Ballet’s new Swan Lake reviewed
The Royal Ballet’s 2016 Frankenstein was a masterclass in how not to make narrative dance and the news that Liam…
How do these Shaolin monks square six shows a week with monking?
The Shaolin monks are no strangers to the stage. Their home in Dengfeng is a major stop on the Chinese…
The men give the women little to work with: Giselle reviewed
A bumper fortnight for Covent Garden florists thanks to a 20th-anniversary flower shower for the Royal Ballet’s Marianela Nunez and…
ENB’s La Sylphide resembles a lock-in at a Royal Mile souvenir shop
Gurn loves Effy, Effy is engaged to James but James is away with the fairies: a recipe for love tragedy.…
The nymphs are hit and miss, but Osipova is a witty, multifaceted Sylvia: the Royal Ballet’s Sylvia reviewed
You can pay homage to a ballet classic or you can tear it up and reinvent it. Both approaches were…
Reducing the lead to an demented rape victim is just what ballet needs: The Wind reviewed
A kindly cowboy, an East Coast bride, adultery, murder and madness. The Wind, Dorothy Scarborough’s 1925 Texas gothic novel (and…
Wayne’s world
Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…
Pretty vacant
Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…
Not vintage Mariinsky
Not really a vintage Mariinsky season — an odd choice of repertoire and some hit-and-miss male casting — but the…
Mad about the boy
Tall, handsome boys with long legs and beautifully arched feet do not grow on trees (if only). Every ballet director…
Yes sir, we can boogie
It’s dance — but not as you know it. A giddy mass of flying limbs, sashaying hips and pouty faces.…
Triple thrill
Thrilling debuts, starry guests and a tear-stained farewell at Covent Garden this week as the Royal Ballet closed the season…
Scarlet women
A Covent Garden barfly was scanning her programme during the first interval: ‘Oh yes, the one about the gynaecologist.’ She…
The unhappy Prince
A tragic flaw is one thing — every hero should have one — but Mayerling’s Rudolf, a syphilitic drug addict…
First Bourne
‘Modern’ dance was no laughing matter in 1987. Harold King, director of the now-defunct London City Ballet, cattily typified it…
Dazzled by Balanchine
A trio of dazzling scores, the soft clack of gemstones on hips and collarbones, a glittering parure of solos, duets…
Bravura bling
There was a nasty sound of pens being sharpened last week as Royal Ballet runaway Sergei Polunin prepared to unveil…
Mirror, mirror
The exit signs were switched off and the stalls were in utter darkness. One by one, 15 invisible dancers, their…
The Bourne identity
From a film about ballet to a ballet about film. In reworking the 1948 Powell and Pressburger classic The Red…
The Bourne identity
From a film about ballet to a ballet about film. In reworking the 1948 Powell and Pressburger classic The Red…
Mistaken identity
The Romanovs were a hot topic in 1967: it was the 50th anniversary of the Russian Revolution, memories of Ingrid…
Mistaken identity
The Romanovs were a hot topic in 1967: it was the 50th anniversary of the Russian Revolution, memories of Ingrid…
Yes, he Khan
Giselle endures in the collective imagination as a charming, sorrowful, supernatural love story. Premièred in Paris in 1841, this keystone…
Yes, he Khan
Giselle endures in the collective imagination as a charming, sorrowful, supernatural love story. Premièred in Paris in 1841, this keystone…
Let the good times roll
For a regular dancegoer in New York City, the Alvin Ailey American Dance Theater seasons arrive with the comforting predictability…
