Dance
The best ballerinas in Britain at the moment are hairy and male
There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…
Gutted!
There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…
War, socialist tyranny and the oppression of the handicapped - welcome to the new dance season
If there’s one thing scarcer than hen’s teeth in serious choreography nowadays, it’s a light heart. When was the last…
Fighting talk
If there’s one thing scarcer than hen’s teeth in serious choreography nowadays, it’s a light heart. When was the last…
Dance from Edinburgh: a flamenco master who could tell classical ballet a thing or two
Every August when London dims, Edinburgh calls, promising nothing less than ‘the greats of the arts’ at the International Festival.…
Martian moves
Every August when London dims, Edinburgh calls, promising nothing less than ‘the greats of the arts’ at the International Festival.…
Sylvie Guillem’s better than ever in her final, final Coliseum farewell
The blackness that sweeps along the stage behind Sylvie Guillem’s disappearing figure in the Russell Maliphant piece on her farewell…
Afterthoughts
The blackness that sweeps along the stage behind Sylvie Guillem’s disappearing figure in the Russell Maliphant piece on her farewell…
You can feel as if you’re in a colony of rabbits: Matthew Bourne’s Car Man reviewed
Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…
Pulp fiction
Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…
All you need is love
What could induce a grown-up, rational, childless person to go to see the ballet of Cinderella? You’ll expect to cringe…
Dying of the light
It’s a comfort that the creation of a new ballet inspired by French court entertainment can still happen in the…
The choreographer that does things to tango couples that Relate would not recommend
I often regret that I’m writing in the past tense here, but never more than about milonga. It is such…
Walking with cadence
I often regret that I’m writing in the past tense here, but never more than about milonga. It is such…
The long goodbye
There’s been a clutch of middle-aged danseuses taking leave of life in one way or another recently. We’ve seen the…
Rapture - and loathing: Woolf Works at the Royal Ballet reviewed
People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…
Woolf haul
People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…
Rosie Kay’s 5 Soldiers: brutishly physical and powerfully striking
In dance, it’s usually the moment the boys start fighting that challenges your suspension of disbelief. Synchronised fencing (MacMillan’s Romeo…
Boys on the march
In dance, it’s usually the moment the boys start fighting that challenges your suspension of disbelief. Synchronised fencing (MacMillan’s Romeo…
La Fille mal gardee at the Royal Opera House reviewed: light, lithe and tender
The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting…
Lethal weapon
The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting…
An Indian Bayadère that meets a sludgy end
For an Indian woman to make a dancework about La Bayadère is a promising prospect. This classical ballet of 1877…