Exhibitions
Moore’s art has never looked better: Henry Moore at Houghton Hall reviewed
Henry Moore was, it seems, one of the most notable fresh-air fiends in art history. Not only did he prefer…
A beautiful exhibition of a magnificent painter: Sean Scully at the National Gallery reviewed
Sean Scully once told me about his early days as a plasterer’s mate. At the age of 17 he was…
Absorbing – a masterclass in print-making: Edvard Munch at the British Museum reviewed
An eyewitness described Edvard Munch supervising the print of a colour lithograph in 1896. He stood in front of the…
Is now a good time to talk about Jews and money?
Is now a good time to talk about Jews and money? The Jewish Museum in London thinks so, and perhaps…
The joy of George Shaw’s miserable paintings of a Coventry council estate
All good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry…
Full of lovely paintings that might lead you astray: The Renaissance Nude reviewed
Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in…
Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed
Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…
Phyllida Barlow’s sculptural wonderland reigns supreme at the Royal Academy
‘Those who can, do; those who can’t, teach.’ If there’s an exception to prove Shaw’s rule, it’s Phyllida Barlow. The…
The first great English artist – the life and art of Nicholas Hilliard
When Henry VIII died in 1547, he left a religiously divided country to a young iconoclast who erased a large…
Few soldiers have seen as many terrible sights as Don McCullin
Diane Arbus saw mid-20th century New York as if she was in a waking dream. Or at least that is…
The terrifying genius of Leonardo
A cataclysmic storm is unfolding. Dense, thunderous lines of black chalk sweep rapidly around the paper in frantic curls of…
Dau is not just a pretentious fraud – it’s rather disgusting
The best booers, in my experience, are the Germans. There’s real purpose and thickness to their vocals. Italians hiss. The…
Not as good as his immoral brother Eric but still wonderful: Max Gill at Ditchling reviewed
MacDonald ‘Max’ Gill (1884–1947) is less well known than his notorious brother, Eric. But was he less of a designer,…
The exceptional romantic cityscapes of Cyril Mann
The little-known painter Cyril Mann (1911-80) saw a lot from his council-flat window. Beyond the parks and trees and red-brick…
The odd couple: Bill Viola / Michelangelo at the RA reviewed
The joint exhibition of Michelangelo Buonarroti and Bill Viola at the Royal Academy is, at first glance, an extremely improbable…
Was Pierre Bonnard any good?
An attendant at an art gallery in France once apprehended a little old vandal, or so the story goes. He…
The joy of prints
Artists’ prints have been around for almost as long as the printed book. Indeed, they have similar origins in Gutenberg’s…
It’s hard to think of finer images of children than Gainsborough’s
When he knew that he was dying, Thomas Gainsborough selected an unfinished painting from some years before and set it…
Comparing Peanuts to existentialism is an insult – to Peanuts
For the hundredth, possibly the thousandth, time, Lucy van Pelt offers to hold the football for Charlie Brown so he…
A short history of ice skating
In landscape terms, the Fens don’t have much going for them. What you can say for them, though, is that…
![Ivory plaque of a lioness mauling a man, ivory, gold, cornelian, lapis lazuli, Nimrud, 900 BC–700 BC. [© The Trustees of the British Museum]](https://www.spectator.com.au/wp-content/uploads/2018/11/lioness_plaque.jpg?w=410&h=275&crop=1)
The Assyrians of Ashurbanipal’s time were just as into pillage and destruction as Isis
The Assyrians placed sculptures of winged human-headed bulls (lamassus) at the entrances to their capital at Nineveh, in modern Mosul,…
In the 1960s the brightest star of British art was Richard Smith – and you can see why
It is easy to assume that the contours of art history are unchanging, its major landmarks fixed for ever. Actually,…
A charming celebration of Vuillard’s muse – his mum: Barber Institute’s Maman reviewed
Fin-de-siècle Paris was not just the art capital of the world, it was also the fashion capital. In 1901, 300,000…
To say this is a ‘once in a generation’ exhibition seems absurdly modest
‘The barbarians drive us to the sea, the sea drives us to the barbarians; between these two means of death…
Like today’s conceptual artists, Burne-Jones was more interested in ideas than paint
‘I want big things to do and vast spaces,’ Edward Burne-Jones wrote to his wife Georgiana in the 1870s. ‘And…
