Opera

Ariadne shows the operetta composer Richard Strauss could have been

17 October 2015 8:00 am

‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…

Ariadne shows what a wonderful operetta composer Richard Strauss could have been

15 October 2015 2:00 pm

‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…

Ariadne shows what a wonderful operetta composer Richard Strauss could have been

15 October 2015 2:00 pm

‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…

Please let's have more musicals like this Kiss Me, Kate at Opera North

10 October 2015 9:00 am

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

Please let’s have more musicals like this Kiss Me, Kate at Opera North

8 October 2015 2:00 pm

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

Please let’s have more musicals like this Kiss Me, Kate at Opera North

8 October 2015 2:00 pm

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Thank god for bored wives: Lady Macbeth of Mtsensk at the ENO reviewed

3 October 2015 9:00 am

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

1 October 2015 1:00 pm

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

1 October 2015 1:00 pm

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

McVicar’s Figaro looks increasingly fossilised. Time for the Royal Opera to ditch it

26 September 2015 8:00 am

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

Fossilised Figaro

24 September 2015 1:00 pm

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

Erwin Schrott as Figaro and Anita Hartig as Susanna in Le nozze di Figaro

Fossilised Figaro

24 September 2015 1:00 pm

Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…

As good a treatment of a Bellini opera as we are likely to see: WNO's I puritani reviewed

19 September 2015 8:00 am

Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…

All roads lead to Callas

17 September 2015 1:00 pm

Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…

Water torture: Aida on Sydney Harbour

All roads lead to Callas

17 September 2015 1:00 pm

Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…

Water torture: Aida on Sydney Harbour

Get me to an opera house: Aida On Sydney Harbour reviewed

12 September 2015 9:00 am

In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…

Water torture: Aida on Sydney Harbour

Get me to an opera house

10 September 2015 1:00 pm

In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…

Water torture: Aida on Sydney Harbour

Get me to an opera house

10 September 2015 1:00 pm

In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…

Magic in the air: Berlin Comic Opera’s exuberant ‘Magic Flute’ at Edinburgh’s Festival Theatre

The Magic Flute has never made more cartoonish sense - an Edinburgh Festival roundup

5 September 2015 9:00 am

London may cry foul over Hamlet’s misplaced to-be-ing and not-to-be-ing but Edinburgh is in raptures over a Magic Flute which…

As with so many Strauss operas, Daphne's one redeeming feature is its end

29 August 2015 9:00 am

Richard Strauss’s Daphne is one of the operas he wrote during the excruciatingly long Indian summer of his composing life,…

Opera in Edinburgh: even the best Stravinsky can’t beat mediocre Mozart

22 August 2015 9:00 am

Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight…

Animal magic: François Piolino as the Frog in ‘L’enfant et les sortilèges’

Glyndebourne’s Ravel double bill comes close to perfection

15 August 2015 9:00 am

When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…

An abundance of spectacle: Iestyn Davies as David, with Sophie Bevan as Michal

Startling and sublime - even the candles got a round of applause: Glyndebourne’s Saul reviewed

1 August 2015 9:00 am

Caius Gabriel Cibber’s statues of ‘Melancholy’ and ‘Raving Madness’, their eyes staring blindly into the void, petrified in torment, once…

Christopher Turner as Artemidoro, the romantic lead transformed into a raving hippy in Trofonio’s ‘cave’

Don’t listen to Amadeus - this Salieri opera is better than Mozart

25 July 2015 9:00 am

Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned…

Delibes’ Lakmé at Holland Park is visually soporific, but the singing keeps Geoff Brown awake

18 July 2015 9:00 am

These are nervous times at the opera. When should we expect the gratuitous rape scene? Will the director relocate the…