Opera
Ariadne shows what a wonderful operetta composer Richard Strauss could have been
‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…
Please let's have more musicals like this Kiss Me, Kate at Opera North
Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…
Please let’s have more musicals like this Kiss Me, Kate at Opera North
Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…
Please let’s have more musicals like this Kiss Me, Kate at Opera North
Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…
Thank god for bored wives: Lady Macbeth of Mtsensk at the ENO reviewed
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
Lady killer
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
Lady killer
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
McVicar’s Figaro looks increasingly fossilised. Time for the Royal Opera to ditch it
Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…
Fossilised Figaro
Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…
Fossilised Figaro
Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…
As good a treatment of a Bellini opera as we are likely to see: WNO's I puritani reviewed
Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…
All roads lead to Callas
Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…
All roads lead to Callas
Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…
Get me to an opera house: Aida On Sydney Harbour reviewed
In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…
Get me to an opera house
In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…
Get me to an opera house
In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…
The Magic Flute has never made more cartoonish sense - an Edinburgh Festival roundup
London may cry foul over Hamlet’s misplaced to-be-ing and not-to-be-ing but Edinburgh is in raptures over a Magic Flute which…
As with so many Strauss operas, Daphne's one redeeming feature is its end
Richard Strauss’s Daphne is one of the operas he wrote during the excruciatingly long Indian summer of his composing life,…
Opera in Edinburgh: even the best Stravinsky can’t beat mediocre Mozart
Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight…
Glyndebourne’s Ravel double bill comes close to perfection
When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…
Startling and sublime - even the candles got a round of applause: Glyndebourne’s Saul reviewed
Caius Gabriel Cibber’s statues of ‘Melancholy’ and ‘Raving Madness’, their eyes staring blindly into the void, petrified in torment, once…
Don’t listen to Amadeus - this Salieri opera is better than Mozart
Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned…
Delibes’ Lakmé at Holland Park is visually soporific, but the singing keeps Geoff Brown awake
These are nervous times at the opera. When should we expect the gratuitous rape scene? Will the director relocate the…
When is a rape not a rape? Fiona Shaw's Rape of Lucretia at Glyndebourne reviewed
When is a rape not a rape? It’s an unsettling question — far more so than anything offered up by…
The gang rape was the least offensive thing about Royal Opera's new William Tell
There’s no such thing as a tasteful rape scene — or there certainly shouldn’t be. It’s an act of grossest…
