Opera
Ariadne shows the operetta composer Richard Strauss could have been
‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…
Ariadne shows what a wonderful operetta composer Richard Strauss could have been
‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…
Ariadne shows what a wonderful operetta composer Richard Strauss could have been
‘Oh, those Greeks! They knew how to live. What is required for that is to stop courageously at the surface,…
Please let's have more musicals like this Kiss Me, Kate at Opera North
Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…
Please let’s have more musicals like this Kiss Me, Kate at Opera North
Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…
Please let’s have more musicals like this Kiss Me, Kate at Opera North
Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…
Lady killer
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
Lady killer
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
McVicar’s Figaro looks increasingly fossilised. Time for the Royal Opera to ditch it
Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…
Fossilised Figaro
Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…
Fossilised Figaro
Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…
All roads lead to Callas
Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…
All roads lead to Callas
Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…
Get me to an opera house: Aida On Sydney Harbour reviewed
In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…
Get me to an opera house
In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…
Get me to an opera house
In anyone’s hands, Verdi’s Aida is not the easiest opera to raise up to greatness on the stage. How does…
As with so many Strauss operas, Daphne's one redeeming feature is its end
Richard Strauss’s Daphne is one of the operas he wrote during the excruciatingly long Indian summer of his composing life,…
Opera in Edinburgh: even the best Stravinsky can’t beat mediocre Mozart
Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight…
Glyndebourne’s Ravel double bill comes close to perfection
When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…
Don’t listen to Amadeus - this Salieri opera is better than Mozart
Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned…
Delibes’ Lakmé at Holland Park is visually soporific, but the singing keeps Geoff Brown awake
These are nervous times at the opera. When should we expect the gratuitous rape scene? Will the director relocate the…