Opera
Excellent but there’s too much larking about: ENO’s Rodelinda reviewed
ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…
Irish ayes
Luigi Cherubini is the pantomime villain of French romantic music. As head of the Paris Conservatoire in the 1820s he…
Mad Men – The Opera
Leonard Bernstein’s Trouble in Tahiti begins not with a prelude, but a jingle. In Matthew Eberhardt’s production a trio of…
Soap opera
Previously on Giulio Cesare… English Touring Opera’s new season caters cannily to the box-set generation by chopping Handel’s Egyptian power-and-politics…
Pole position
Did you know that they used to make the Fiat 126 in the Eastern bloc? They did, apparently. There was…
Small wonders
It has been a reasonably good week for peripatetic opera-loving female-underwear fetishists. In La bohème at Covent Garden Musetta slipped…
DIY Bohème
The Royal Opera’s one production that, it has always confidently been claimed, need never be replaced has been replaced. John…
Viennese whirl
‘First performance: Vienna, October 3, 1880’ declares the programme for Opera della Luna’s new production of Johann Strauss’s The Queen’s…
Grimes triumphant
‘Peter Grimes!’ Ranked high above us in the Usher Hall — a mob smelling blood, hot for the kill —…
Classy and classic
The Edinburgh International Festival began with a double helping of incest. Curiously, Greek — Mark-Anthony Turnage’s East End retelling of…
Strong stuff
The strings sweep upwards, the horns surge, and Leoncavallo’s Zaza throws itself into your arms. We don’t know it yet,…
New kid on the block
The new Grange Park Opera at Horsley is amazing, as everyone who visits it must agree. In less than a…
Risk assessment
Someone at the Buxton International Festival had a wry smile on their face when programming this year’s trio of operas.…
Dressed to thrill
Mitridate, re di Ponto was Mozart’s fifth opera, written and first produced when he was 14 years old. Absolutely amazing.…
Roll over Beethoven
If you want to see an opera director kicking a genius when they’re down — and I mean really sticking…
Twin peaks
In an essay called ‘Wagner’s fluids’, Susan Sontag concludes, ‘The depth and grandeur of feeling of which Wagner is capable…
Art of darkness
Brett Dean’s new opera for Glyndebourne is a big-hearted romantic comedy, sunny and life-affirming. Only joking — this is contemporary…
Myths and morals
Handel’s Semele, one of the most enjoyable operas (or opera-oratorio, if you insist) in the repertoire, is, in its upshot,…
Music matters
The ancient Greeks had a word for it —katabasis, descending into the depths, to the underworld itself, in search of…
Death wish
Anyone who thinks they have experienced absolute boredom, or even doubts that such a state can exist, should go to…
False start
When a composer begins an opera, they create a world. You don’t need a full-scale overture: the tear-stained violins that…
Mild things
English Touring Opera is playing safe this spring, with Tosca and Patience, and was rewarded, in Cambridge at least, with…
Stand and deliver
Some opera-lovers prefer concert performances to full stagings. I don’t. It’s that whole Gesamtkunstwerk thing: opera needs to be seen…
Fallen angel
The Adèsives were out in force at Covent Garden last Monday for the UK première of their hero’s third opera,…
Take a bow
Monteverdi 450 — the Monteverdi Choir and English Baroque Soloists’ tour of his three operas to 33 cities across two…
