Arts
Angry, cold, self-centred, opaque, disconnected and brutalising: Bronx Gothic reviewed
Sometimes it’s hard to describe a play without appearing to defame the writer, the performer and the theatre responsible for…
There is a jewel of a painting at Gagosian’s Francis Bacon show
‘It is no easier to make a good painting,’ wrote Vincent van Gogh to his brother Theo, than it is…
Where was the sex? Opera Holland Park’s Manon Lescaut reviewed
Where was the desire, the frisson, the flicker of attraction? Hell, where was the sex? I ask because a week…
Gripping and heartbreaking but I wanted to know more: Diego Maradona reviewed
Diego Maradona, Asif Kapadia’s take on the poor boy from the slums of Buenos Aires who became a footballing god,…
Easily the best thing I’ve seen at the Grange Festival: Falstaff reviewed
‘Tutto nel mondo e burla’ sings the company at the end of Verdi’s Falstaff — ‘All the world’s a joke’…
On the Beach at Trouville 1870. Bequest of Michel Monet 1966
A magnificent Empire-style townhouse near the Bois de Boulogne contains a remarkable collection of paintings. On rue Louis Boilly, the…
The miracle of Longborough – the company that broke the mould for summer opera
At Longborough Festival Opera, Richard Wagner is on the roof. Literally: his statue stands on top of the little pink…
Blast from the past
How many people do you think died at Chernobyl? 10,000? 50,000? 300,000? The correct answer, according to the never knowingly…
Poetic and profound: The Starry Messenger reviewed
Kenneth Lonergan, who wrote the movie Manchester by the Sea, shapes his work from loss, disillusionment, small-mindedness, hesitation and superficiality,…
The extraordinary life of 104-year-old dancer Eileen Kramer
It’s not often you hear the voice of a 104-year-old on the radio. You’re even less likely to hear one…
Virtuosic exploration of paint: Frank Bowling at Tate Britain reviewed
‘The possibilities of paint,’ Frank Bowling has observed, ‘are endless.’ The superb career retrospective of his work at Tate Britain…
Entitled white men won’t like it – which is why I did: Late Night reviewed
Late Night is a comedy starring Emma Thompson as a chat-show host in America whose ratings are in decline and…
The ideal summer opera: Garsington’s The Bartered Bride reviewed
So it’s the start of the summer opera season at Wormsley and we’re sitting there in evening dress in the…
Much as I admire Morrissey’s refusal to conform, I don’t much like his music
Grade: B Rock stars who utter something a little gamey, something a tad right-wingish, are usually coerced by the lefties…
Alyona Kovalyova and Jacopo Tissi in Diamonds Act 3 of Jewels
The name is a byword for exacting standards and grand tradition. The Bolshoi Ballet, at the peak of the ballet…
Quentin Tarantino on how spaghetti westerns shaped modern cinema
The movie that made me consider filmmaking, the movie that showed me how a director does what he does, how…
British surrealism at its most remarkable and nightmarish
Holding the International Surrealist Exhibition in London in 1936 was a coup for the British avant-garde, putting newbie surrealists such…
What would you do if you were a Syrian migrant?
‘Put yourself in their shoes,’ says Zahra Mackaoui, a British-Lebanese journalist who has been following the stories of refugees from…
Igor Levit’s Goldbergs were transcendental
Igor Levit has rapidly achieved cult status, as he certainly deserves. He has already reached the stage where he can…
Pam Tanowitz’s Four Quartets is a revelation
T.S. Eliot’s Four Quartets is full of music and movement. The players, such as they are, slip, slide, shake, tumble,…
The quiet genius of Posy Simmonds, Hogarth’s heir
‘It’s no use at all,’ says Posy Simmonds in mock despair, holding up her hands. ‘I can’t tell my left…
Deeply unpleasant and thrilling: Viagra Boys make Primal Scream look antiseptic
May was a cruel month for those middle-aged liberals who treasure their old alternative rock heroes. There was Morrissey, appearing…
Good hats – shame about the film: Sunset reviewed
Sunset is French-Hungarian writer-director Laszlo Nemes’s follow-up to his astonishing Oscar-winning debut, Son of Saul. This time round the film…
Bog-standard spy mystery with a gimmicky appeal: Anna at the Dorfman Theatre reviewed
Arts Council England takes money from almost all of us and spends it on culture for almost none of us.…
Earth dying in five billion years I can deal with, but not a world-weary Brian Cox
When you see the opening caption ‘4.6 billion years ago’, it’s a pretty safe bet that you’re watching a programme…
