Arts

Francis Guinan (Fred) and K. Todd Freeman (Dee) in Downstate. Photo: Michael Brosilow

Has Bruce Norris bitten off more than he can chew?

30 March 2019 9:00 am

Bruce Norris is a firefighter among dramatists. He runs towards danger while others sprint in the other direction. His Pulitzer-winning…

‘Scenes from the Passion: The Hawthorne Tree’, 2001, by George Shaw

The joy of George Shaw’s miserable paintings of a Coventry council estate

30 March 2019 9:00 am

All good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry…

Jonas Kaufmann and Anna Netrebko in Royal Opera's La forza del destino. Photo: Bill Cooper

The most glorious singing anyone born after 1970 will ever have heard: La forza del destino reviewed

30 March 2019 9:00 am

To stage Verdi’s Il Trovatore, they say, is easy: you just need the four greatest singers in the world. The…

The Beatles perform in Liverpool prior to signing their first recording contract: George Harrison, John Lennon, Paul McCartney, and original drummer Pete Best. Photo: Hulton Archive / Getty Images

The greatest Beatle? Pete Best

30 March 2019 9:00 am

Which of the Beatles would you most like to have been? Not either of the dead ones, presumably. Nor the…

Back to the future: ‘The Asset Strippers’, by Mike Nelson

Powerful elegy for a world that is slipping away: Tate Britain’s The Asset Strippers reviewed

30 March 2019 9:00 am

There was a moment more than 20 years ago when Bankside Power Station was derelict but its transformation into Tate…

When I see an elephant fly: a scene from Tim Burton’s Dumbo

Clumsy, long and lacking circus thrills: Tim Burton’s Dumbo reviewed

30 March 2019 9:00 am

Dumbo is an elephant we can’t forget. More than 70 years since Disney’s 1941 film, the big-eared baby is still…

Fernando Guimarães

Fernando Guimarães

30 March 2019 9:00 am

The closing chapters of Homer’s Odyssey were the source for the opera regarded as the crowning achievement of composer Claudio…

Life after death: Billie Holliday at the Hologram USA Theater

The rise and rise of the holographic tour

23 March 2019 9:00 am

In March 1968, Frank Zappa released an album called We’re Only in it for the Money. Presumably, then, Zappa —…

Full of lovely paintings that might lead you astray: The Renaissance Nude reviewed

23 March 2019 9:00 am

Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in…

Tom Hiddleston in Betrayal at the Harold Pinter Theatre. Photo: Marc Brenner

Watch Tom Hiddleston ruin Pinter’s finest play

23 March 2019 9:00 am

No menace, no Venice. This new production of Pinter’s Betrayal is set on a bare stage with scant regard for…

Why did no one think the premise of Mums Make Porn was questionable?

23 March 2019 9:00 am

What can parents do about the avalanche of pornography available to their children on tablet, phone and laptop? This question…

Is the increasing secularisation of funerals a good thing?

23 March 2019 9:00 am

‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent…

Fresh and wild: Chrystal E. Williams as Lady Macbeth and Brenden Gunnell as Seryozha in Graham Vick’s Lady Macbeth of Mtsensk

Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed

23 March 2019 9:00 am

You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…

The fall of Daniel Barenboim

23 March 2019 9:00 am

A few years ago, I hooked up with a BBC team in Berlin to record a programme with Daniel Barenboim.…

Spell-binding: Lupita Nyong’o as Adelaide in Us

Nyong’o is spellbinding but the plot is ultimately baffling: Us reviewed

23 March 2019 9:00 am

Us is a second feature from Jordan Peele after his marvellous debut Get Out, which was more brilliantly satirical than…

Jacqueline McKenzie and Mandy McElhinney

23 March 2019 9:00 am

Mosquitoes is not a particularly alluring title for Australians but it is the title of the latest play by Lucy…

All the world’s a stage: Luwam Teklizgi (Rita) and Toby Jones (Peter) in BBC2’s forthcoming Don’t Forget the Driver

Toby Jones on the allure of the everyman – and the glamour of coach-driving

16 March 2019 9:00 am

Toby Jones shuffles into the café in Clapham where we are meeting. He’s wearing a duffle coat and a hat…

Soft cell: ‘Hôtel du Pavot, Chambre 202’, 1970–73, by Dorothea Tanning

Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed

16 March 2019 9:00 am

Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…

Scala Radio is a real threat to Radio 2

16 March 2019 9:00 am

It’s not surprising given the way that electronic communication has taken over so much of our daily business, minimising human…

Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed

16 March 2019 9:00 am

Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…

Almost triumphs over the absurdity of its premise: Northern Ballet’s Victoria reviewed

16 March 2019 9:00 am

Blame Kenneth MacMillan. The great Royal Ballet choreographer of the 1960s, 70s and 80s was convinced that narrative dance could…

Deft humour and daft imagery: WNO’s Magic Flute reviewed

16 March 2019 9:00 am

Operas are like buses. Both are filled with pensioners and take ages to get anywhere, but more importantly they always…

Slow-moving tale with a strong echo of Brideshead: Alys, Always at the Bridge reviewed

16 March 2019 9:00 am

Nicholas Hytner’s new show, Alys, Always, is based on a Harriet Lane novel that carries a strong echo of Brideshead.…

Colin Morgan as Benjamin and Phénix Brossard as Noah in Simon Amstell’s Benjamin

Tender, sweet, affecting: Simon Amstell’s Benjamin reviewed

16 March 2019 9:00 am

Simon Amstell’s Benjamin is a romantic comedy about a young filmmaker whose second feature is about to première, and he’s…

It’s shocking how many Michael Jackson fans are still determined to take his side

16 March 2019 9:00 am

Halfway through the first part of Channel 4’s extraordinary documentary Leaving Neverland (Thursdays), I flicked through the comments on social…