Arts

Almost triumphs over the absurdity of its premise: Northern Ballet’s Victoria reviewed

16 March 2019 9:00 am

Blame Kenneth MacMillan. The great Royal Ballet choreographer of the 1960s, 70s and 80s was convinced that narrative dance could…

Deft humour and daft imagery: WNO’s Magic Flute reviewed

16 March 2019 9:00 am

Operas are like buses. Both are filled with pensioners and take ages to get anywhere, but more importantly they always…

Slow-moving tale with a strong echo of Brideshead: Alys, Always at the Bridge reviewed

16 March 2019 9:00 am

Nicholas Hytner’s new show, Alys, Always, is based on a Harriet Lane novel that carries a strong echo of Brideshead.…

Colin Morgan as Benjamin and Phénix Brossard as Noah in Simon Amstell’s Benjamin

Tender, sweet, affecting: Simon Amstell’s Benjamin reviewed

16 March 2019 9:00 am

Simon Amstell’s Benjamin is a romantic comedy about a young filmmaker whose second feature is about to première, and he’s…

It’s shocking how many Michael Jackson fans are still determined to take his side

16 March 2019 9:00 am

Halfway through the first part of Channel 4’s extraordinary documentary Leaving Neverland (Thursdays), I flicked through the comments on social…

Aurum by Alice Topp

16 March 2019 9:00 am

Such a wonderful word: ‘verve’. Not used much now, it’s one of the words we owe to the French. We…

‘Afternoon at the Beach in Valencia’, 1904, by Joaquin Sorolla

Enjoy a blast of Spanish sun from Joaquin Sorolla

9 March 2019 9:00 am

Artists can be trained, but they are formed by their earliest impressions: a child of five may not be able…

Magnificently incoherent: Royal Trux’s White Stuff reviewed

9 March 2019 9:00 am

Grade:A Royal Trux are back — kind of. Singer (if that’s what you want to call what she does) Jennifer…

Sarah Tynan, Nicholas Lester and Andrew Shore in ENO's new Merry Widow. Photo: Clive Barda

Cringingly vulgar, brainless and lacking heart: ENO’s Merry Widow reviewed

9 March 2019 9:00 am

Garrick Ohlsson is one of the finest pianists of his generation. Why, then, was the Wigmore Hall not much more…

Decency comes into its own: Bryan Adams

An undervalued songwriter and decent man: Bryan Adams at Wembley reviewed

9 March 2019 9:00 am

On 29 June 1991, a record called ‘(Everything I Do) I Do It For You’ by Bryan Adams entered the…

A great example of how Radio 4 is using new technologies to enhance audio

9 March 2019 9:00 am

‘It’s too familiar, too obvious,’ says Cathy FitzGerald at the beginning of her new interactive series for Radio 4, Moving…

Art or propaganda? Wolfgang Tillmans’ pro-EU poster for the 2016 referendum

For many artists being propagandists has become their raison d’être

9 March 2019 9:00 am

If you want to lose friends and alienate people in the art world, try telling them you support Britain leaving…

Deserves its classic status: Jesus Hopped the ‘A’ Train at the Young Vic reviewed

9 March 2019 9:00 am

Jesus Hopped the ‘A’ Train by Stephen Adly Guirgis deserves its classic status. This wordy and highly cerebral play pulls…

Sian Clifford as Claire and Phoebe Waller-Bridge as Fleabag

Promising but, compared to the first series, short of laughs: Fleabag reviewed

9 March 2019 9:00 am

BBC2’s MotherFatherSon announced its status as a classy thriller in the traditional way: by ensuring that for quite a long…

More than able to carry a film of this type: Brie Larson as Captain Marvel

Finally a Marvel film that doesn’t entirely bore the pants off Deborah Ross

9 March 2019 9:00 am

Captain Marvel is the 654th film in the Marvel franchise — the figure is something like that, I think —…

Kathryn Stott – Artistic Director

9 March 2019 9:00 am

Townsville is bouncing back; it is also tuning up for the Australian Festival of Chamber Music. Battered by the recent…

Left: cartoon of Hector Berlioz published in the Wiener Theaterzeitung in 1846. Right: the composer in 1863, aged 59

David Cairns explains how we learned to love Berlioz

2 March 2019 9:00 am

According to his friend and fellow-composer Ernest Reyer, the last words Berlioz spoke on his deathbed were: ‘They are finally…

The only way to avoid Ariana Grande’s drivel is to move to Iran

2 March 2019 9:00 am

Grade: D Among the many reasons for moving to Iran is this vapid, talentless, derivative, hyperbolically oversexed drivel aimed at…

I always come away more confused after listening to Moral Maze

2 March 2019 9:00 am

Is it me or are we now faced (or perhaps I should say fazed?) much more often by stories in…

Careful, Phyllida: the artist posing by her rickety sculptural wonderland at the RACareful, Phyllida: the artist posing by her rickety sculptural wonderland at the RA

Phyllida Barlow’s sculptural wonderland reigns supreme at the Royal Academy

2 March 2019 9:00 am

‘Those who can, do; those who can’t, teach.’ If there’s an exception to prove Shaw’s rule, it’s Phyllida Barlow. The…

A torpid seminar on why Trump is the Antichrist: Shipwreck reviewed

2 March 2019 9:00 am

When reviewers call a work ‘important’ they mean ‘boring’ and ‘earnest’. And in those terms Shipwreck is one of the…

Second coming: Steve Coogan as Alan Partridge

I’ve never seen Coogan better or Partridge funnier: This Time with Alan Partridge reviewed

2 March 2019 9:00 am

Steve Coogan is back as Alan Partridge but frankly who cares? Like Ali G, I’ve long thought, he’s one of…

Odious, endless dross: Tanztheater Wuppertal Pina Bausch reviewed

2 March 2019 9:00 am

Please believe that I try to give every production my full attention, to do due diligence, to blink and miss…

Opera North’s Rite of Spring shows the advantages of confining the music to the pit

2 March 2019 9:00 am

It was Stravinsky himself who suggested that, in order to preserve its difficulty, the opening bassoon solo of The Rite…

Only the lonely: Charlotte Rampling is superb as Hannah

Peculiarly mesmerising: Hannah reviewed

2 March 2019 9:00 am

Hannah stars Charlotte Rampling in a film where not much happens and not much happens and not much happens and…