Arts

A perfect antidote

21 March 2020 9:00 am

Anyone familiar with Joe Hill-Gibbins’s work will brace instinctively when the curtain goes up on his new Figaro. He’s the…

Bigamists, lunatics and adventurers

21 March 2020 9:00 am

The world of 19th-century British music was raucous, but are there any masterpieces waiting to be rediscovered? wonders Richard Bratby

Difficult women

21 March 2020 9:00 am

The director of Persepolis, Marjane Satrapi, talks to Sarah Ditum about her new biopic of Marie Curie, exile from Iran and her fears for the future of democracy

The abbey habit

21 March 2020 9:00 am

The world may be going to hell in a handcart but some things remain reassuringly unchanged: Julian Fellowes period dramas…

The great pretenders

21 March 2020 9:00 am

The accepted line about Bryan Ferry is that his is one of the greatest reinventions in English pop culture: Peter…

The rise and fall of Peter Bogdanovich

21 March 2020 9:00 am

David Thomson talks to the director about Buster Keaton, falling out of favour with Hollywood, and his mentor Orson Welles

Strokes of genius

21 March 2020 9:00 am

Martin Gayford

David Hallberg

14 March 2020 9:00 am

The artistic leadership of a major performing company is, by definition, important. The Australian Ballet has a forthcoming vacancy of…

In a class of her own

14 March 2020 9:00 am

Who was the most influential figure in 20th-century classical music? Stravinsky? Pierre Boulez? What about Bernstein or Britten? John Cage…

Earthly powers

14 March 2020 9:00 am

Exhibitions about fungi, bugs and trees illustrate the depth, range and vitality of a growing field of art, says Mark Cocker

When perving was the norm

14 March 2020 9:00 am

Misbehaviour is a film about the 1970 Miss World contest that was disrupted by ‘bloody women’s libbers’ — that’s what…

Waking the dead

14 March 2020 9:00 am

‘No matter what they take from me,’ sang Whitney Houston towards the end of a peculiar evening in Hammersmith, ‘they…

Accentuate the negative

14 March 2020 9:00 am

Sky One’s Breeders (Thursday) bills itself as an ‘honest and uncompromising comedy’ about parenting. To this end, the opening scene…

‘Irish writers don’t talk to each other – they shout abuse’

14 March 2020 9:00 am

Sebastian Barry talks to Robert Jackman about family folklore, the joy of writing playsand why he is not an ‘Irish’ novelist

The stuff of nightmares

14 March 2020 9:00 am

It must have been hard for Crystal Pite and Jonathan Young to live up to the success of 2016’s devastating…

Secrets and spies

14 March 2020 9:00 am

Here’s the problem. Much communication is done online, especially by youngsters, and much drama focuses on communication. So how do…

David Williamson

7 March 2020 9:00 am

‘That sinkhole of ambition and superficiality we call Sydney.’ That’s a direct quotation from the Melbourne Theatre Company’s promotion of…

Spooky delights

7 March 2020 9:00 am

One of my perpetual gnawing terrors is that I’ll recommend a series that looks initially promising but turns out to…

Inside stories

7 March 2020 9:00 am

Nicolaes Maes (1634–93) relished the simple moments of daily life during the Dutch Golden Age. A woman peeling parsnips over…

Oracles, perverts and the Dirtbag Left

7 March 2020 9:00 am

For 500 years the State Oracle of Tibet has worked as a kind of angry immortal advisor to the Dalai…

Pyramid of piffle

7 March 2020 9:00 am

The Prince of Egypt is a musical adapted from a 1998 Dreamworks cartoon based on the Book of Exodus. So…

Sisters are doing it for themselves

7 March 2020 9:00 am

Military Wives is a British comedy drama starring Kristin Scott Thomas and Sharon Horgan. It is based on the true…

Naughty boy

7 March 2020 9:00 am

In seven short years, Aubrey Beardsley mastered the art of outrage. Laura Gascoigne on the gloriously indecent illustrations of a singular genius

The alienation effect

7 March 2020 9:00 am

‘People may say I can’t sing,’ said the soprano Florence Foster Jenkins, ‘but no one can ever say I didn’t…

Green Day: Father of All…

7 March 2020 9:00 am

Grade: B+ It is an eternal mystery to me why Britain has never had much time for power pop, seeing…