Arts
Join a Jacobean jury at the Globe. Early modern theatre goes immersive – will it work?
James I and VI liked to term himself Rex Pacificus. Like most politicians who talk a lot about working for…
In the 1960s the brightest star of British art was Richard Smith – and you can see why
It is easy to assume that the contours of art history are unchanging, its major landmarks fixed for ever. Actually,…
This Boccanegra is not what you’d expect from UK’s best-funded opera company
The People are angry. In fact, they’re bloody furious. As the lights flash up on David Pountney’s production of Prokofiev’s…
No, Narcos, those who’ve had the odd puff and cheeky line aren’t to blame for the drug wars
Narcos is back on Netflix, set in Mexico this time, with a cool, world-weary, manly voiceover swearily lecturing us at…
Is Michelle Obama a secret Archers fan?
I wonder what Michelle Obama, the former First Lady who remade that role in her own image, would make of…
How could anyone object to the Royal Ballet engaging in cultural appropriation?
La Bayadère opens with a sacred flame and ends with an earthquake. In between, Marius Petipa’s ballet of 1877 gives…
One of the finest productions I’ve seen at the Globe – a triumph of crony casting: Macbeth reviewed
Michelle Terry, chatelaine of the Globe, wants to put an end to penis-led Shakespeare by casting women in roles intended…
Forget Robin Hood and Girl in the Spider’s Web – Shoplifters is the film to see this week
The major releases this week are Robin Hood, as a big Hollywood retelling, and The Girl in the Spider’s Web,…
They. Cannot. Write. Songs: Mumford & Sons reviewed
Grade: D+ I promise you this isn’t simply class loathing. Yer toffs have contributed to British rock and pop and…
Richard Tognetti and the ACO
As leader of the Australian Chamber Orchestra, Richard Tognetti has never done quite what was expected, other than to be…
The facts – and fiction – of piracy
Avast there, scurvy dogs! For a nation founded on piracy (the privateer Sir Francis Drake swelled the exchequer by raiding…
A charming celebration of Vuillard’s muse – his mum: Barber Institute’s Maman reviewed
Fin-de-siècle Paris was not just the art capital of the world, it was also the fashion capital. In 1901, 300,000…
Britten’s War Requiem almost sounded like a masterpiece – but it’s isn’t, is it?
‘What passing-bells for these who die as cattle?’ We’ve heard a lot, lately, of the knell that tolls through the…
What does the commonplace cruelty of Red Dead Redemption say about our times?
Every era has its western. For 30 years, from The Big Trail through to The Searchers, John Wayne reigned supreme…
Radio 3 had the most simple yet effective way of reflecting on war’s impact
Amid all the remembrance, Radio 3 came up with a simple yet effective way of reflecting on war’s impact. Threaded…
Lorenzo Lotto’s 16th century portraits come startlingly close to photography
You can, perhaps, glimpse Lorenzo Lotto himself in the National Gallery’s marvellous exhibition, Lorenzo Lotto: Portraits. At the base of…
To say this is a ‘once in a generation’ exhibition seems absurdly modest
‘The barbarians drive us to the sea, the sea drives us to the barbarians; between these two means of death…
How does David Attenborough know what the monkeys are thinking?
The opening episode of BBC1’s Dynasties — the new Attenborough-fronted series from the Natural History Unit — introduced us to…
The ideal album for getting rid of guests over Christmas: Yoko Ono’s Warzone reviewed
Grade: A+ Ooh, you can have some fun with this when the unwanted guests swing by this Christmastide. These are…
A mess: Fantastic Beasts reviewed
Fantastic Beasts: The Crimes of Grindelwald is the sequel to the Harry Potter prequel Fantastic Beasts and Where to Find…
Lee Evans’s acrobatic clowning is the best thing about Pinter Three
Pinter Three appeals to opposite poles of the play-going spectrum. The birdbrains like me will enjoy the music-hall sketches while…
Helen Thomson and Caroline Brazier
By my count, the 2019 Season will be the 40th produced by the Sydney Theatre Company. The coming season is…
For the sake of art as much as society, it’s time to stop remembering the war
A cascade of poppies falls from ‘weeping windows’ across Britain. A 50-metre drawing of Wilfred Owen appears in the sand,…
One of the best plays I’ve ever seen: I and You at the Hampstead Theatre reviewed
Lauren Gunderson’s play I and You opens in the scruffy bedroom of 17-year-old Caroline. Lonely, beautiful and furious, she’s unable…
Like today’s conceptual artists, Burne-Jones was more interested in ideas than paint
‘I want big things to do and vast spaces,’ Edward Burne-Jones wrote to his wife Georgiana in the 1870s. ‘And…
