Arts
What’s not to like about Christine and the Queens? Her music
Grade: B– Ooh goody — a parade to rain on! You wouldn’t believe the hyperbole expended by the rock critics…
Stuart Devlin candelabras (1980-81) in Dining Room
Every day, Australians carry some of his work in their pockets. Stuart Devlin (1931-2018) designed the decimal currency introduced in…
Bellini vs Mantegna – whose side are you on?
Sometimes Andrea Mantegna was just showing off. For the Palazzo Ducale in Mantua, he painted a false ceiling above the…
After 1980 Pinter began to write like a student troll: Pinter at the Pinter reviewed
The drop-curtain resembles a granite slab on which the genius’s name has been carved for all time. The festival of…
Impeccably – and intriguingly – unclear: BBC1’s The Cry reviewed
It’s a radical thought I know, but I sometimes wonder what it would be like if a new TV thriller…
![A woman-child of dangerous assurance: Allison Cook as Salome in Adena Jacobs’s new production for English National Opera. [Catherine Ashmore]](https://www.spectator.com.au/wp-content/uploads/2018/10/6Octopera.jpg?w=410&h=275&crop=1)
A fascinating failure, but a failure nonetheless: ENO’s Salome reviewed
Yes, Oscar Wilde never wrote it. No, Strauss didn’t intend it. In fact, the composer famously demanded the Dance of…
Lady Gaga is a revelation: A Star is Born reviewed
This version of A Star Is Born, starring Bradley Cooper and Lady Gaga, is the fourth iteration (Janet Gaynor and…
A week of extraordinarily direct and honest radio on the World Service
The most inspiring voice on radio this week belongs to Hetty Werkendam, or rather to her 15-year-old self as she…
William Forsythe on the day the US government threatened to arrest him
William Forsythe has been called a lot of things in his four decades as a dancemaker: wilful provocateur, ‘pretentious as…
No one would want this gig to be the final memory of them: Soft Cell at the O2 reviewed
When Soft Cell first appeared on Top of the Pops in summer 1981, miming along to their version of Gloria…
Artists of The Australian Ballet
There is a lot of dance news about at the moment. The Australian Ballet’s new version of Spartacus, to the…
Brett Anderson on fame, fear and being 50
‘I always think they’re not lusting after me,’ Brett Anderson says of the middle-aged fans who still turn up to…
There’s almost nothing in this Hayward show – and that’s the point
A reflection on still water was perhaps the first picture that Homo sapiens ever encountered. The importance of mirrors in…
Angela Carter was a master of radio drama
The writer Angela Carter (born in 1940) grew up listening to the wireless, her love of stories, magic and the…
Glenn Close rescues this clumsy new adaptation: The Wife reviewed
The Wife is an adaptation of the Meg Wolitzer novel (2003) and stars Glenn Close. Her performance is better than…
Opera North’s Tosca will leave you quivering
At the end of Act Two of Tosca there are some 30 bars of orchestral music — accompaniment to a…
The Old Vic’s Sylvia may be the new Les Mis
Sylvia, the Old Vic’s musical about the Pankhurst clan, has had a troubled nativity. Illness struck the cast during rehearsals.…
Forget the BBC – only Channel 5 does proper documentaries these days
What a load of utter tripe Bodyguard (BBC1, Sundays) was. Admittedly, I came to it late having missed all the…
Bravura piss-taking from Les Ballets Trockadero de Monte Carlo
‘Ballet is woman’ insisted George Balanchine, but ballet can also be a big man in a dress as any fan…
Some Brandenburg section leaders
‘Celebrating 30 Years of Baroque’ is Paul Dyer’s theme of the 2019 Season of the Australian Brandenburg Orchestra; 30 years…
A brief history of unicorns
After the England football team beat Tunisia at this summer’s World Cup, they celebrated with a swimming-pool race on inflatable…
The night I kissed Harold Pinter
I think everyone was a little nervous of Harold. Including Harold, sometimes. He was affable, warm, generous, impulsive — and…
Rattle’s recapitulation: LSO/Simon Rattle at Barbican reviewed
A pregnant silence, a peaty belch from the tuba, and the scrape of brass on brass as gears lock into…
Blacktivist rhetoric and impenetrable symbols: Misty reviewed
Arinzé Kene’s play Misty is a collection of rap numbers and skits about a fare dodger, Lucas, from Hackney. Lucas…
The Spanish artist who is more gruesome even than Caravaggio
Last year my wife and I were wandering around the backstreets of Salamanca when we were confronted by a minor…
