Arts
An exquisitely funny sitcom that should be on the BBC
Agathe by Angela J. Davis follows the early phases of the Rwanda genocide 30 years ago. The subject, Agathe Uwilingiyimana,…
It’s time to free art from being ‘interactive’ and ‘immersive’
The American artist and critic Brad Troemel once pointed out that art galleries have all turned into a kind of…
Adrianne Lenker is a treasure for the ages
You could very well sum up their differing approaches to American roots music from how they were dressed. Both wore…
The mutilation of Radio 3
On Saturday 12 December 1964, Harold Wilson addressed his first Labour party conference as prime minister, George Harrison was photographed…
Don’t write off Hofesh Shechter – his new work is uniquely haunting
In 2010, when his thrillingly edgy and angry Political Mother delivered modern dance a winding punch right where it hurt,…
The barbarity of this man
It’s a spectacle a lot of people would kill to see: Hugo Weaving in a Sydney Theatre Company co-production of…
Sordid, ugly and threadbare: Jimmy Carr – Natural Born Killer reviewed
Here’s an offensive joke: ‘Jimmy Carr gets paid to do a Netflix special.’ All right, it’s not original – I…
Tennis romance that doesn’t contain much tennis: Challengers reviewed
It sounds straightforward enough: a tennis romance starring Zendaya, idol of the mid-teen demographic and last seen riding a sandworm…
Cheesy remake of Our Mutual Friend: London Tide, at the Lyttelton Theatre, reviewed
Our Mutual Friend has been turned into a musical with a new title, London Tide, which sounds duller and more…
Taylor Swift’s new album is exhausting
How to explain the supercharged star power of Taylor Swift? An undeniably gifted artist, Swift’s albums 1989, Folklore and Evermore,…
How to live off the land for a year
Could you live off the land for a year without buying a single thing to eat? This was the challenge…
You could have built a tent city from all the red chinos: Aci by the River reviewed
The Thames cruise for which Handel composed his Water Music in 1717 famously went on until around 4 a.m. The…
The latest Venice Biennale is ideologically and aesthetically bankrupt
Last week’s opening of the 60th edition of the Venice Biennale marks a watershed for the art world. In much…
‘I couldn’t afford loo roll’: Bruce Robinson on being skint, Zeffirelli’s advances and Withnail’s return
Bruce Robinson is ramming a huge log into the grate of his ancient fireplace in mud-clogged Herefordshire. He’s 77 and…
The music of their eloquence
It was a tweet by the novelist Joyce Carol Oates that warned us PBS, the American public broadcaster, had done…
Entirely pointless and extremely pleasant: House Flipper 2 reviewed
Grade: B+ Most video games challenge the player’s problem-solving skills, reaction time or hand-eye co-ordination. But a handful of them…
Player Kings proves that Shakespeare can be funny
Play-goers, beware. Director Robert Icke is back in town, and that means a turgid four-hour revival of a heavyweight classic…
How flabby our ideas of draughtsmanship have become
The term drawing is a broad umbrella, so in an exhibition of 120 works it helps to outline some distinctions.…
Baffling and vile: ETO’s Manon Lescaut reviewed
In 1937, John Barbirolli took six pieces by Henry Purcell and arranged them for an orchestra of strings, horns and…
Should beautiful actors be allowed to play those with plain faces?
Sometimes I Think About Dying is one of those titles you want to shout back at – what? Only sometimes?…
Danny Dyer’s new C4 programme is deeply odd
Who do you think said the following on TV this week: ‘I love being around gay men – seeing a…
Why garage punk is plainly the apogee of human achievement
How is it that a group that sounds like the Hives are selling out the Apollo? In a world configured…
