Arts
The rise and rise of the holographic tour
In March 1968, Frank Zappa released an album called We’re Only in it for the Money. Presumably, then, Zappa —…
Full of lovely paintings that might lead you astray: The Renaissance Nude reviewed
Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in…
Watch Tom Hiddleston ruin Pinter’s finest play
No menace, no Venice. This new production of Pinter’s Betrayal is set on a bare stage with scant regard for…
Why did no one think the premise of Mums Make Porn was questionable?
What can parents do about the avalanche of pornography available to their children on tablet, phone and laptop? This question…
Is the increasing secularisation of funerals a good thing?
‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent…
Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed
You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…
The fall of Daniel Barenboim
A few years ago, I hooked up with a BBC team in Berlin to record a programme with Daniel Barenboim.…
Nyong’o is spellbinding but the plot is ultimately baffling: Us reviewed
Us is a second feature from Jordan Peele after his marvellous debut Get Out, which was more brilliantly satirical than…
Jacqueline McKenzie and Mandy McElhinney
Mosquitoes is not a particularly alluring title for Australians but it is the title of the latest play by Lucy…
Toby Jones on the allure of the everyman – and the glamour of coach-driving
Toby Jones shuffles into the café in Clapham where we are meeting. He’s wearing a duffle coat and a hat…
Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed
Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…
Scala Radio is a real threat to Radio 2
It’s not surprising given the way that electronic communication has taken over so much of our daily business, minimising human…
Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed
Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…
Almost triumphs over the absurdity of its premise: Northern Ballet’s Victoria reviewed
Blame Kenneth MacMillan. The great Royal Ballet choreographer of the 1960s, 70s and 80s was convinced that narrative dance could…
Deft humour and daft imagery: WNO’s Magic Flute reviewed
Operas are like buses. Both are filled with pensioners and take ages to get anywhere, but more importantly they always…
Slow-moving tale with a strong echo of Brideshead: Alys, Always at the Bridge reviewed
Nicholas Hytner’s new show, Alys, Always, is based on a Harriet Lane novel that carries a strong echo of Brideshead.…
Tender, sweet, affecting: Simon Amstell’s Benjamin reviewed
Simon Amstell’s Benjamin is a romantic comedy about a young filmmaker whose second feature is about to première, and he’s…
It’s shocking how many Michael Jackson fans are still determined to take his side
Halfway through the first part of Channel 4’s extraordinary documentary Leaving Neverland (Thursdays), I flicked through the comments on social…
Aurum by Alice Topp
Such a wonderful word: ‘verve’. Not used much now, it’s one of the words we owe to the French. We…
Enjoy a blast of Spanish sun from Joaquin Sorolla
Artists can be trained, but they are formed by their earliest impressions: a child of five may not be able…
Magnificently incoherent: Royal Trux’s White Stuff reviewed
Grade:A Royal Trux are back — kind of. Singer (if that’s what you want to call what she does) Jennifer…
Cringingly vulgar, brainless and lacking heart: ENO’s Merry Widow reviewed
Garrick Ohlsson is one of the finest pianists of his generation. Why, then, was the Wigmore Hall not much more…
An undervalued songwriter and decent man: Bryan Adams at Wembley reviewed
On 29 June 1991, a record called ‘(Everything I Do) I Do It For You’ by Bryan Adams entered the…
A great example of how Radio 4 is using new technologies to enhance audio
‘It’s too familiar, too obvious,’ says Cathy FitzGerald at the beginning of her new interactive series for Radio 4, Moving…
For many artists being propagandists has become their raison d’être
If you want to lose friends and alienate people in the art world, try telling them you support Britain leaving…
