Arts
Marta Dusseldorp
Nora walks out and shuts the door behind her; shuts the door on her children, her husband, her life to…
How Rodin made a Parthenon above Paris
‘My Acropolis,’ Auguste Rodin called his house at Meudon. Here, the sculptor made a Parthenon above Paris. Surrounded by statues…
Kylie’s latest album is truly appalling: Golden reviewed
Grade: D– Kylie has a place in my heart for having made the second-best single to feature the chorus ‘na…
All the world’s a stage
How to stage Shakespeare on air and bring the text to life without the benefit of set, costumes, choreography and…
Bravura, assurance and generosity: Mark Simpson’s new Cello Concerto reviewed
The opening of Mark Simpson’s new Cello Concerto is pure Hollywood. A fanfare in the low brass, an upwards rush…
An unmitigated triumph: Salome at Opera North reviewed
Salome is my favourite opera by Richard Strauss, the only one where there is no danger, at any point, of…
The artist more fond of flowers and vegetables than people – and who can blame him
I have occasionally mused that there is plenty of scope for a Tate East Anglia — a pendant on the…
What’s the point of Philomena Cunk?
Because I’m a miserable old reactionary determined to see a sinister Guardianista plot in every BBC programme I watch, I…
Not like any serial-killer thriller you’ve seen before: Beast reviewed
When I first read that Beast is a serial-killer thriller my heart sank like a stone — yet more women…
The Firebird – choreography by Liam Scarlett
Not every young Artistic Director writes a best-selling memoir that is made into a successful feature film. Mao’s Last Dancer…
This V&A show, about fashion’s fascination with the natural world, will seduce and appal
One of the prettiest pieces in the V&A exhibition Fashioned from Nature is a man’s cream waistcoat, silk and linen,…
Closing the Queen Elizabeth Hall invigorated the new music scene. Why reopen it?
Imagine the National inviting RuPaul to play Hamlet. Or Tate giving Beryl Cook a retrospective. The London Sinfonietta offered a…
Why be so frightened of Enoch Powell’s speech now?
It was a provocative decision by the producers of Archive on 4, 50 Years On: Rivers of Blood (Nathan Gower…
Jaw-dropping: My Year with the Tribe reviewed
For a while now, the Korowai people of Western Papua have been the go-to primitive tribe for documentary-makers. The Korowai…
Why it’s bad for potters to think of themselves as artists
A friend of mine once owned a vase by the potter Hans Coper — until, that is, her teenage son…
A delicious operatic ragout of horror: Lady Macbeth of Mtsensk reviewed
There is famously no door into the late-night diner of Edward Hopper’s ‘Nighthawks’. Its three silent patrons are trapped behind…
Maxine Peake is blistering in Funny Cow
Two films about women this week. One, Funny Cow, is about a woman who daringly takes on men at their…
Some fairly rich people rip off some very rich people. Who are we rooting for? Quiz reviewed
Quiz by James Graham looks at the failed attempt in 2001 to swindle a million quid from an ITV game…
Heather Mitchell
This probably is a bad idea; I mean writing a column about a transgender person. Even Germain Greer got herself…
Viv Albertine of the Slits on anger, honesty and being an arsey feminist
Viv Albertine, by her own admission, hurls stuff at misbehaving audiences. Specifically, when the rage descends, any nearby full cup…
Wild Wild Country makes me want to set up my own cult
I have decided to set up a cult, which you are all welcome to join, especially those of you who…
How do these Shaolin monks square six shows a week with monking?
The Shaolin monks are no strangers to the stage. Their home in Dengfeng is a major stop on the Chinese…
Martha Kearney’s arrival at Today is a breath of fresh air
Like a breath of fresh air Martha Kearney has arrived on Radio 4’s Today programme, taking over from Sarah Montague…
The public are quite right to love Monet
Think of the work of Claude Monet and water lilies come to mind, so do reflections in rippling rivers, and…





























