Arts

I was dreading this show – how wrong could I be: Entangled Pasts, at the Royal Academy, reviewed

Laura Gascoigne 10 February 2024 9:00 am

Artists behaving badly

Peter Craven 3 February 2024 9:00 am

What a weird situation it is that the painter Donald Friend once treasured by Robert Hughes for the lyricism of…

Meandering, flat and witless: Plaza Suite, at the Savoy Theatre, reviewed

Lloyd Evans 3 February 2024 9:00 am

The unique hell of being a wartime bomber pilot

James Delingpole 3 February 2024 9:00 am

Ought we not have some shrine to the pips?

Daisy Dunn 3 February 2024 9:00 am

Top oratorio-mongering: Elijah, at the Barbican, reviewed

Damian Thompson 3 February 2024 9:00 am

Why does dance keep adapting films they can't possibly improve upon?

Rupert Christiansen 3 February 2024 9:00 am

How the Houthis wage war through poetry

Barnaby Rogerson 3 February 2024 9:00 am

Like swallowing a pack of Parma Violets: CUTE, at Somerset House, reviewed

Laura Gascoigne 3 February 2024 9:00 am

A stellar night at Celtic Connections

Graeme Thomson 3 February 2024 9:00 am

It’ll haunt you forever: The Zone of Interest reviewed

Deborah Ross 3 February 2024 9:00 am

A deeply elegiac work

Peter Craven 27 January 2024 9:00 am

That superb poet Peter Porter who was also in love with music used to say there was no denying the…

Joyous chaos: Lucy Harwood, at Firstsite, reviewed

Laura Gascoigne 27 January 2024 9:00 am

The visionary art of Eduardo Paolozzi

Claudia Massie 27 January 2024 9:00 am

Fresh as an April shower: Opera North's Albert Herring reviewed

Richard Bratby 27 January 2024 9:00 am

Mesmerising: All of Us Strangers reviewed

Deborah Ross 27 January 2024 9:00 am

Original and absorbing: A Highland Song reviewed

Sam Leith 27 January 2024 9:00 am

Without Pitchfork, bands like the Clientele would never have attracted any attention

Michael Hann 27 January 2024 9:00 am

Giselle is lovingly revived at the London Coliseum

Rupert Christiansen 27 January 2024 9:00 am

Visually world-class, dramatically second-rate: Don't Destroy Me, at the Arcola, reviewed

Lloyd Evans 27 January 2024 9:00 am

Highly effective slice of old-school storytelling: ITV's Born from the Same Stranger reviewed

James Walton 27 January 2024 9:00 am

Greek tragedies

Peter Craven 20 January 2024 9:00 am

It’s the time of year when there’s a lot of talk about films and catching up with films. Along with…

Sincere, heartfelt, true: The Holdovers reviewed

Deborah Ross 20 January 2024 9:00 am

Everything hits the spot: Royal Opera's Elektra reviewed

Richard Bratby 20 January 2024 9:00 am

Gladiators was never good TV

James Delingpole 20 January 2024 9:00 am

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