Arts

Cheekface are uplifting and witty but also very punchable: It's Sorted reviewed

Rod Liddle 10 February 2024 9:00 am

An endurance test that I constantly failed: Occupied City reviewed

Deborah Ross 10 February 2024 9:00 am

Monumentally good: John Francis Flynn, at the Dome, reviewed

Michael Hann 10 February 2024 9:00 am

One of the great contemporary symphonies: The Hallé – Desert Music, at Bridgewater Hall, reviewed

Richard Bratby 10 February 2024 9:00 am

An unmistakable hit: Till the Stars Come Down, at the Dorfman Theatre, reviewed

Lloyd Evans 10 February 2024 9:00 am

Lucid and lean: Metamorphoses, at the Theatre Royal Bath, reviewed

Rupert Christiansen 10 February 2024 9:00 am

I was dreading this show – how wrong could I be: Entangled Pasts, at the Royal Academy, reviewed

Laura Gascoigne 10 February 2024 9:00 am

Artists behaving badly

Peter Craven 3 February 2024 9:00 am

What a weird situation it is that the painter Donald Friend once treasured by Robert Hughes for the lyricism of…

Meandering, flat and witless: Plaza Suite, at the Savoy Theatre, reviewed

Lloyd Evans 3 February 2024 9:00 am

The unique hell of being a wartime bomber pilot

James Delingpole 3 February 2024 9:00 am

Ought we not have some shrine to the pips?

Daisy Dunn 3 February 2024 9:00 am

Top oratorio-mongering: Elijah, at the Barbican, reviewed

Damian Thompson 3 February 2024 9:00 am

Why does dance keep adapting films they can't possibly improve upon?

Rupert Christiansen 3 February 2024 9:00 am

How the Houthis wage war through poetry

Barnaby Rogerson 3 February 2024 9:00 am

Like swallowing a pack of Parma Violets: CUTE, at Somerset House, reviewed

Laura Gascoigne 3 February 2024 9:00 am

A stellar night at Celtic Connections

Graeme Thomson 3 February 2024 9:00 am

It’ll haunt you forever: The Zone of Interest reviewed

Deborah Ross 3 February 2024 9:00 am

A deeply elegiac work

Peter Craven 27 January 2024 9:00 am

That superb poet Peter Porter who was also in love with music used to say there was no denying the…

Joyous chaos: Lucy Harwood, at Firstsite, reviewed

Laura Gascoigne 27 January 2024 9:00 am

The visionary art of Eduardo Paolozzi

Claudia Massie 27 January 2024 9:00 am

Fresh as an April shower: Opera North's Albert Herring reviewed

Richard Bratby 27 January 2024 9:00 am

Mesmerising: All of Us Strangers reviewed

Deborah Ross 27 January 2024 9:00 am

Original and absorbing: A Highland Song reviewed

Sam Leith 27 January 2024 9:00 am

Without Pitchfork, bands like the Clientele would never have attracted any attention

Michael Hann 27 January 2024 9:00 am

Giselle is lovingly revived at the London Coliseum

Rupert Christiansen 27 January 2024 9:00 am

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