Arts

In Mumbai, orchestras are playing western classics without apology

Richard Bratby 16 December 2023 9:00 am

Pleasant, underwhelming: Kurt Vile's Back to Moon Beach reviewed

Rod Liddle 16 December 2023 9:00 am

You'll want all the characters to die: Infinite Life, at the Dorfman Theatre, reviewed

Lloyd Evans 16 December 2023 9:00 am

Fine for the kiddies, given they're clueless: Chicken Run – Daw of the Nugget reviewed

Deborah Ross 16 December 2023 9:00 am

David Starkey on the inventor of the portrait

David Starkey 16 December 2023 9:00 am

A Nativity that sends shivers down the spine

Laura Gascoigne 16 December 2023 9:00 am

Every kind of spectacular effect

Peter Craven 9 December 2023 9:00 am

It’s starting to turn into the season to be jolly (or whatever variant you can manage) with the Melbourne Symphony…

A marvel – how did Bradley Cooper pull it off? Maestro reviewed

Damian Thompson 9 December 2023 9:00 am

Still the best thing on TV: Apple TV+'s Slow Horses reviewed

James Delingpole 9 December 2023 9:00 am

Small moments vs Big Ideas: Peter Gabriel's i/o reviewed

Graeme Thomson 9 December 2023 9:00 am

Simply not as good as Mozart’s: RCM's Don Giovanni Tenorio reviewed

Richard Bratby 9 December 2023 9:00 am

Masterclass of an exhibition: Impressionists on Paper, at the RA, reviewed

Laura Gascoigne 9 December 2023 9:00 am

Fascinating: Radio 4's Empire of Tea reviewed

Jenny McCartney 9 December 2023 9:00 am

What a muddle: The House of Bernarda Alba, at the Lyttelton Theatre, reviewed

Lloyd Evans 9 December 2023 9:00 am

The Spectator film critic who transformed cinema

Igor Toronyi-Lalic 9 December 2023 9:00 am

The point of perdition

Peter Craven 2 December 2023 9:00 am

What will history make of the superior crime stories we seem to be churning out? The late Peter Corris’ Cliff…

An amusing playlet buried in 150 minutes of rhetoric: Mates in Chelsea, at the Royal Court, reviewed

Lloyd Evans 2 December 2023 9:00 am

Embarrassingly addictive: Channel 4's The Couple Next Door reviewed

James Walton 2 December 2023 9:00 am

Britain’s forgotten female pop artist

Annie Nightingale 2 December 2023 9:00 am

'Stomp clap hey' music: Noah Kahan, at O2 Forum Kentish Town, reviewed

Michael Hann 2 December 2023 9:00 am

Kaurismaki is the business: Fallen Leaves reviewed

Deborah Ross 2 December 2023 9:00 am

The art of not taking out the bins: Madelon Vriesendorp, at the Cosmic House, reviewed

Calvin Po 2 December 2023 9:00 am

Eloquent, understated poetry: Llyr Williams, at the Wigmore Hall, reviewed

Richard Bratby 2 December 2023 9:00 am

The award-winning choreographer who fell foul of the mob

Rupert Christiansen 2 December 2023 9:00 am

Eye-batting nonchalance

Peter Craven 25 November 2023 9:00 am

What is it about the Egyptians that bewitches us? Ramses and the Gold of the Pharoahs opened at the Australian…

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