Arts
Speech impediment
Who goes to big-screen Shakespeare? Not theatre-goers much, and with reason. Apart from the odd corker by Kurosawa, arguably Olivier…
Incomprehensible genius
London’s Goethe-Institut has a two-month season of films of Rainer Werner Fassbinder (whose 70th anniversary it’s celebrating), but only five…
Gutted!
There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…
Now you see it, now you don’t
The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…
Lady killer
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
Lady killer
‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…
Foote fault
Samuel Foote (1720–77) was a star of the 18th-century stage who avoided the censors by extemporising his performances. Today we’d…
Foote fault
Samuel Foote (1720–77) was a star of the 18th-century stage who avoided the censors by extemporising his performances. Today we’d…
Special effects
Maybe what we love about radio is the way that most of its programming allows us the luxury of staying…
Special effects
Maybe what we love about radio is the way that most of its programming allows us the luxury of staying…
Independents’ day
I really hadn’t meant to write a postscript to last week’s column on my dark Supertramp past. But then along…
Hitler’s émigrés
Next week Frank Auerbach will be honoured by the British art establishment with a one-man show at Tate Britain. It’s…
Culture buff
The popularity of Writers’ Festivals is a growing cultural phenomenon matched by the boom in book groups. Now, book groups…
Don McCullin interview: ‘I take more than I bring. That’s not a role I’m proud of’
Jenny McCartney talks to the celebrated photojournalist about war, guilt and Aylan
When technology was art: Cosmonauts at the Science Museum reviewed
‘The dominant narrative of space,’ I was told, in that strange language curators employ, ‘is America.’ Quite so. Kennedy stared…
Cut-ups, hallucinations and Hermann Goering: the extraordinary life of Brion Gysin
Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…
Nicole Kidman is upstaged by everyone - even the set: Photograph 51 at the Noel Coward reviewed
Michael Grandage’s latest show is about an old snap. Geneticists regard the X-ray of the hydrated ‘B’ form of DNA…
McVicar’s Figaro looks increasingly fossilised. Time for the Royal Opera to ditch it
Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…
It will tear your heart out: 99 Homes reviewed
99 Homes is an American drama about house repossession. Bummer, you might think, but here is what you don’t yet…
ITV’s Midwinter of the Spirit is a satisfying example of Middle-England Gothic
For years, Ian Fleming was famously self-deprecating about the James Bond books. (‘I have a rule of not looking back,’…
How The Archers tried to derail the launch of ITV
Two significant anniversaries, each very different but both reflecting the BBC’s mission and the reasons for its continued success. From…
Home is where the heart is
99 Homes is an American drama about house repossession. Bummer, you might think, but here is what you don’t yet…
Indiscreet astronaut
Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…
Stars in their eyes
‘The dominant narrative of space,’ I was told, in that strange language curators employ, ‘is America.’ Quite so. Kennedy stared…