Arts
Does the future of radio really lie in podcasts?
To a debate on the future of radio at the BBC where it turns out not to be a discussion…
Channel 4's The Coalition reviewed: heroically free of cynicism
In a late schedule change, Channel 4’s Coalition was shifted from Thursday to Saturday to make room for Jeremy Paxman…
Culture Buff
We’re all keen on infrastructure at the moment so it’s worth remembering what an astounding impact the Suez Canal made…
Independents’ day
Sometimes a guy feels abstracted from the world. He visits Europe’s finest galleries, but the paintings seem to hang like…
Independents’ day
Sometimes a guy feels abstracted from the world. He visits Europe’s finest galleries, but the paintings seem to hang like…
Will you miss Mad Men? James Delingpole won’t
Mad Men looked great but, as the final season draws to a close, was there really anything to it, wonders James Delingpole
Radiant Vermin at the Soho Theatre reviewed: a barmy little sketch posing as a revolutionary satire
Philip Ridley is best known as the screenwriter of The Krays, in which Gary and Martin Kemp played Ronnie and…
Richard Diebenkorn at the Royal Academy reviewed: among the best visual evocations of LA there are
It is true that, like wine, certain artists don’t travel. Richard Diebenkorn, subject of the spring exhibition in the Royal…
The Voices review: a hateful, repellent, empty film
The Voices is ‘a dark comedy about a serial killer’, which is not an overcrowded genre, and I think we…
50 shades of beige: English National Ballet's Modern Masters at Sadler's Wells, reviewed
My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at…
Royal Opera's Rise and Fall of the City of Mahagonny review: far too well behaved
Brecht/Weill’s Rise and Fall of the City of Mahagonny was premièred in 1930, Auden/Stravinsky’s The Rake’s Progress in 1951. Twenty-one…
Raised by Wolves review: council-estate life but not as you know it
Journalist, novelist, broadcaster and figurehead of British feminism Caitlin Moran, who writes most of the Times and even had her…
Radio is the best way to mug up on the classics
If ever I found myself at a pretentious literary party obliged to play David Lodge’s ‘Humiliation’ game and to confess…
The Heckler: Why I’m allergic to Stephen Sondheim
I came out in a rash when I heard that Emma Thompson was to star in Stephen Sondheim’s Sweeney Todd…
Culture buff
In her memoir Must You Go?, Antonia Fraser records an exchange between her husband Harold Pinter and Samuel Beckett in…
50 shades of beige
My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at…
Stephen Sondheim
I came out in a rash when I heard that Emma Thompson was to star in Stephen Sondheim’s Sweeney Todd…
Stephen Sondheim
I came out in a rash when I heard that Emma Thompson was to star in Stephen Sondheim’s Sweeney Todd…
Alexander McQueen may have been a prat but at least he was an interesting one
Alexander McQueen may have been a prat but at least he was an interesting one, says Shura Slater
Flying witches, mad old men, cannibals: what was going on in Goya’s head?
It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…
Suite Francaise review: what is this film playing at, when it comes to Jews in attics?
Suite Française is being billed as a second world war romance about ‘forbidden love’ and, in this regard, it is…
The Armour at Langham Hotel reviewed: three new playlets that never get going
One of last year’s unexpected treasures was a novelty show by Defibrillator that took three neglected Tennessee Williams plays, all…
What it’s really like to live in India today - stressful
After a month cooped up in a Scottish castle, no internet, no TV, and no radio, watching hectic snowflakes billowing…
Poldark review: drama by committee
By my calculations, the remake of Poldark (BBC1, Sunday) is the first time BBC drama has returned to Cornwall since…