Arts
Culture buff
Nowadays we don’t often look to modern Greece for inspiration except for its physical beauty and the charm of its…
How Ridley Scott’s sci-fi classic, Blade Runner, foresaw the way we live today
How Ridley Scott’s Blade Runner, made 33 years ago, foresaw the way we live today, by William Cook
Inventing Impressionism at the National Gallery reviewed: a mixed bag of sometimes magnificent paintings
When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…
Why you should never trust songwriting credits
Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…
Why George Bernard Shaw was an overrated babbler
When I was a kid, I was taught by a kindly old Jesuit whose youth had been beguiled by George…
Still Alice review: you can see why Julianne Moore won an Oscar but the film’s still boring
There’s always seemed something masklike about Julianne Moore’s face: she seems walled in by her beauty. When she smiles, the…
ENO's Indian Queen reviewed: Peter Sellars's bold new production needs editing
When is an opera not an opera? How much can you strip and peel away, or extend and graft on…
The Great European Disaster on BBC4 reviewed: propaganda worthy of Leni Riefenstahl
My favourite bit of The Great European Disaster (BBC4, Sunday) was the lingering shot that showed golden heads of corn…
All radio drama should be as good as this Conrad adaptation
The aching hum of crickets. The susurrus of reeds. The lapping of waves. The unmistakable noise of a sound technician…
The Heckler: Tate Britain is a mess. Its director Penelope Curtis must go
Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…
Culture buff
So familiar, Miriam Margolyes seems like one of us. Well, she is actually, because she took out Oz citizenship and…
Whose line is it anyway?
Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…
Whose line is it anyway?
Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…
Tate Britain
Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…
Tate Britain
Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…
Don’t mock Elvis’s style - he was ahead of the curve
In the giftshop at the new Elvis exhibition at the Dome, you can buy your own version of his flared…
Sculpture Victorious at Tate Britain reviewed: entertainingly barmy
In the centre of the new exhibition Sculpture Victorious at Tate Britain there is a huge white elephant. The beast…
The dos and don’ts of the Russian art scene
They’re doing fantastic deals on five-star hotels in St Petersburg the weekend the Francis Bacon exhibition opens at the Hermitage.…
The Boy Next Door reviewed: a terrible new J-Lo movie that's disturbingly enjoyable
Stateside critics, who panned Jennifer Lopez’s new film The Boy Next Door on its US release last month, may be…
Muswell Hill reviewed: a guide on how to sock it to London trendies
Torben Betts is much admired by his near-namesake Quentin Letts for socking it to London trendies. Letts is one of…
A legendary piece of iconoclastic dance returns. Does the piece still stand up?
Funny how things turn upside-down with time. A work of contemporary dance that made an iconoclastic splash decades ago is…
Opera North's Gianni Schicchi and La vida breve reviewed: a flawless double helping of verismo
Is there a more beautiful aria than ‘O mio babbino caro’ from Puccini’s Gianni Schicchi? There are more overwhelming moments…
There’s nothing wrong with getting into Thomas Tallis on the back of Fifty Shades of Grey
Great works of art may have a strange afterlife. Deracinated from the world that created them they are at the…
Critical on Sky1 reviewed: a new medical drama where everyone radiates an unusual degree of competence and concern
Sky1’s new hospital drama Critical (Tuesday) can’t be accused of making a timid start. Within seconds, an urgent request had…