Arts

Left: ‘Dream of a good witch’, c.1819–23, by Goya Right: ‘Bajan niñendo (They descend quarrelling)’, c.1819–23, by Goya

Flying witches, mad old men, cannibals: what was going on in Goya’s head?

14 March 2015 9:00 am

It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…

Suite Francaise review: what is this film playing at, when it comes to Jews in attics?

14 March 2015 9:00 am

Suite Française is being billed as a second world war romance about ‘forbidden love’ and, in this regard, it is…

Simon Darwen as Peter and Siubhan Harrison as Eloise in ‘The Armour’

The Armour at Langham Hotel reviewed: three new playlets that never get going

14 March 2015 9:00 am

One of last year’s unexpected treasures was a novelty show by Defibrillator that took three neglected Tennessee Williams plays, all…

Identity crisis: Rachele Gilmore as Alice

Alice in Wonderland at the Barbican reviewed: too much miaowing

14 March 2015 9:00 am

Charles Lutwidge Dodgson loved little girls. He loved to tell them stories, he loved to feed them jam, he loved…

What it’s really like to live in India today - stressful

14 March 2015 9:00 am

After a month cooped up in a Scottish castle, no internet, no TV, and no radio, watching hectic snowflakes billowing…

Should he stay or should he go: Aidan Turner as Ross Poldark

Poldark review: drama by committee

14 March 2015 9:00 am

By my calculations, the remake of Poldark (BBC1, Sunday) is the first time BBC drama has returned to Cornwall since…

Culture buff

14 March 2015 9:00 am

Nowadays we don’t often look to modern Greece for inspiration except for its physical beauty and the charm of its…

Staying power: Harrison Ford as Rick Deckard in ‘Blade Runner: The Final Cut’

How Ridley Scott’s sci-fi classic, Blade Runner, foresaw the way we live today

7 March 2015 9:00 am

How Ridley Scott’s Blade Runner, made 33 years ago, foresaw the way we live today, by William Cook

Inventing Impressionism at the National Gallery reviewed: a mixed bag of sometimes magnificent paintings

7 March 2015 9:00 am

When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…

Why you should never trust songwriting credits

7 March 2015 9:00 am

Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…

Why George Bernard Shaw was an overrated babbler

7 March 2015 9:00 am

When I was a kid, I was taught by a kindly old Jesuit whose youth had been beguiled by George…

Still Alice review: you can see why Julianne Moore won an Oscar but the film’s still boring

7 March 2015 9:00 am

There’s always seemed something masklike about Julianne Moore’s face: she seems walled in by her beauty. When she smiles, the…

ENO's Indian Queen reviewed: Peter Sellars's bold new production needs editing

7 March 2015 9:00 am

When is an opera not an opera? How much can you strip and peel away, or extend and graft on…

The Great European Disaster on BBC4 reviewed: propaganda worthy of Leni Riefenstahl

7 March 2015 9:00 am

My favourite bit of The Great European Disaster (BBC4, Sunday) was the lingering shot that showed golden heads of corn…

All radio drama should be as good as this Conrad adaptation

7 March 2015 9:00 am

The aching hum of crickets. The susurrus of reeds. The lapping of waves. The unmistakable noise of a sound technician…

The Heckler: Tate Britain is a mess. Its director Penelope Curtis must go

7 March 2015 9:00 am

Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…

Culture buff

7 March 2015 9:00 am

So familiar, Miriam Margolyes seems like one of us. Well, she is actually, because she took out Oz citizenship and…

Whose line is it anyway?

5 March 2015 3:00 pm

Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…

Whose line is it anyway?

5 March 2015 3:00 pm

Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…

Tate Britain

5 March 2015 3:00 pm

Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…

Tate Britain

5 March 2015 3:00 pm

Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…

Crazy horses: Andy Scott’s Kelpies at sunset

The Spectator declares war on bad public art

28 February 2015 9:00 am

Stephen Bayley announces the launch of What’s That Thing?, The Spectator’s award for bad public art

Don’t mock Elvis’s style - he was ahead of the curve

28 February 2015 9:00 am

In the giftshop at the new Elvis exhibition at the Dome, you can buy your own version of his flared…

‘The Great Elm at Lacock’, 1843–45, by William Henry Fox Talbot

Sculpture Victorious at Tate Britain reviewed: entertainingly barmy

28 February 2015 9:00 am

In the centre of the new exhibition Sculpture Victorious at Tate Britain there is a huge white elephant. The beast…

‘Two Figures in a Room’, 1959, by Francis Bacon

The dos and don’ts of the Russian art scene

28 February 2015 9:00 am

They’re doing fantastic deals on five-star hotels in St Petersburg the weekend the Francis Bacon exhibition opens at the Hermitage.…