Arts
Flying witches, mad old men, cannibals: what was going on in Goya’s head?
It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…
Suite Francaise review: what is this film playing at, when it comes to Jews in attics?
Suite Française is being billed as a second world war romance about ‘forbidden love’ and, in this regard, it is…
The Armour at Langham Hotel reviewed: three new playlets that never get going
One of last year’s unexpected treasures was a novelty show by Defibrillator that took three neglected Tennessee Williams plays, all…
What it’s really like to live in India today - stressful
After a month cooped up in a Scottish castle, no internet, no TV, and no radio, watching hectic snowflakes billowing…
Poldark review: drama by committee
By my calculations, the remake of Poldark (BBC1, Sunday) is the first time BBC drama has returned to Cornwall since…
Culture buff
Nowadays we don’t often look to modern Greece for inspiration except for its physical beauty and the charm of its…
How Ridley Scott’s sci-fi classic, Blade Runner, foresaw the way we live today
How Ridley Scott’s Blade Runner, made 33 years ago, foresaw the way we live today, by William Cook
Inventing Impressionism at the National Gallery reviewed: a mixed bag of sometimes magnificent paintings
When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…
Why you should never trust songwriting credits
Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…
Why George Bernard Shaw was an overrated babbler
When I was a kid, I was taught by a kindly old Jesuit whose youth had been beguiled by George…
Still Alice review: you can see why Julianne Moore won an Oscar but the film’s still boring
There’s always seemed something masklike about Julianne Moore’s face: she seems walled in by her beauty. When she smiles, the…
ENO's Indian Queen reviewed: Peter Sellars's bold new production needs editing
When is an opera not an opera? How much can you strip and peel away, or extend and graft on…
The Great European Disaster on BBC4 reviewed: propaganda worthy of Leni Riefenstahl
My favourite bit of The Great European Disaster (BBC4, Sunday) was the lingering shot that showed golden heads of corn…
All radio drama should be as good as this Conrad adaptation
The aching hum of crickets. The susurrus of reeds. The lapping of waves. The unmistakable noise of a sound technician…
The Heckler: Tate Britain is a mess. Its director Penelope Curtis must go
Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…
Culture buff
So familiar, Miriam Margolyes seems like one of us. Well, she is actually, because she took out Oz citizenship and…
Whose line is it anyway?
Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…
Whose line is it anyway?
Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…
Tate Britain
Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…
Tate Britain
Things have not been happy at Tate Britain for some time. Last year Waldemar Januszczak wrote an article culminating with…
Don’t mock Elvis’s style - he was ahead of the curve
In the giftshop at the new Elvis exhibition at the Dome, you can buy your own version of his flared…
Sculpture Victorious at Tate Britain reviewed: entertainingly barmy
In the centre of the new exhibition Sculpture Victorious at Tate Britain there is a huge white elephant. The beast…
The dos and don’ts of the Russian art scene
They’re doing fantastic deals on five-star hotels in St Petersburg the weekend the Francis Bacon exhibition opens at the Hermitage.…