Arts
His lyrics are hopeless, his covers are catastrophic, yet I still love Bryan Ferry
There were two new albums I wanted for Christmas — the Bryan Ferry and the Pink Floyd — and to…
The tragic tale of the Two Roberts is a story of two artists cut off in their prime
In 1933, two new students met on their first day at Glasgow School of Art. From then on they were…
Foxcatcher: piercing, shattering, spellbinding
Foxcatcher is a crime drama (of sorts) that has already been dubbed ‘Oscarcatcher!’ as it barely puts a foot wrong.…
Young Vic's Golem: its status as a cult hit fills me with troubled wonder
The Young Vic produces shows that please many but rarely me. Its big hit of 2014, A Streetcar Named Desire,…
Royal Opera's Un ballo in maschera: limp, careless and scrappy
Whether by chance or bold design, the Royal Opera’s two Christmas shows were written at precisely the same moment, between…
Without childhood traumas, how did Alan Bennett ever become a writer?
‘So — take heart,’ said Alan Bennett, sending us out from his play, Cocktail Sticks, on a cheery note. The…
It's because Corden is such a dick that The Wrong Mans was so blindingly brilliant
God, it must be awful to have been at school with James Corden. As he sat fatly at the back…
Culture buff
Not many people would still argue that fashion, as in garments, has no place in an art museum. After all,…
Easy listening
There were two new albums I wanted for Christmas — the Bryan Ferry and the Pink Floyd — and to…
Easy listening
There were two new albums I wanted for Christmas — the Bryan Ferry and the Pink Floyd — and to…
2015 in exhibitions - painting still rules
The art on show over the coming year demonstrates that we still live in an age of mighty painters, says Martin Gayford
Birdman: plenty to see, little to feel
Alejandro González Iñárritu’s Birdman, which stars Michael Keaton as a one-time superhero movie star (just like Keaton himself), is audacious…
National Theatre’s 3 Winters: a hideous Balkans ballyhoo
A masterpiece at the National. A masterpiece of persuasion and bewitchment. Croatian word-athlete Tena Stivicic has miraculously convinced director Howard…
Royal Opera’s Tristan und Isolde: an absurd production - but still a magnificent night
Any adequate performance of Tristan und Isolde, and the first night of the Royal Opera’s production was at least that,…
Does anyone have the balls to bring back castrati?
One of the most complete bars to the authentic performance of both baroque opera and some renaissance polyphony is the…
An American in Paris: a zingy new Wheeldon dance-musical that you won’t want to miss
A new year must start with hope and resolution, and if you’re very rich, with influence in the highest places,…
BBC1’s Esio Trot: like Fawlty Towers played at quarter speed
As a New Year’s Day treat for all the family, Esio Trot (BBC1) seemed to be taking no chances. It…
Why Serial is the future of radio
The fuss may now be over, the last episode of Serial revealed. But if the global success of WBEZ Chicago’s…
Culture buff
I’m a bit perplexed about a current Christmas (perhaps I should say Xmas) craze. This is not a moan from…
S’wonderful
A new year must start with hope and resolution, and if you’re very rich, with influence in the highest places,…
High and mighty
One of the most complete bars to the authentic performance of both baroque opera and some renaissance polyphony is the…
High and mighty
One of the most complete bars to the authentic performance of both baroque opera and some renaissance polyphony is the…
Climate change, Bruegel-style
The world depicted by the Flemish master is not so different from our own, says Martin Gayford
The Nazi origins of the Vienna Phil’s New Year’s Day concert
Vienna’s New Year’s Day concert is still tarnished by its Nazi origins, says Norman Lebrecht
Snow - art’s biggest challenge
In owning a flock of artificial sheep, Joseph Farquharson must have been unusual among Highland lairds a century ago. His…
