Arts

Sam Smith: Gloria

4 February 2023 9:00 am

Still ugly but worth catching for the chorus and orchestra: Royal Opera’s Tannhäuser reviewed

4 February 2023 9:00 am

A classical concert programme is like a set menu, and for this palate the most tempting orchestral offering in the…

Both compelling and repulsive: The Whale reviewed

4 February 2023 9:00 am

I can’t work out if Darren Aronofsky’s The Whale, which stars Brendan Fraser as a man weighing 600lb – that’s…

Two of Scotland’s most inventive solo musicians: Fergus McCreadie, Maeve Gilchrist + Mr McFall’s Quartet reviewed

4 February 2023 9:00 am

Folk is the Schiphol of Scottish music. Eventually, every curious traveller passes through. From arena rockers to rappers, traditional music…

The county that inspired a whole way of painting: Sussex Landscape, at Pallant House, reviewed

4 February 2023 9:00 am

In a national vote on which county’s landscape best embodies Englishness, every county would presumably vote for itself. But when…

My hunt for the Holy Grail: Damned drummer Rat Scabies interviewed

4 February 2023 9:00 am

Revd Steve Morris talks to former Damned drummer Rat Scabies about his journey from punk rock to the Holy Grail

Rite of summer

28 January 2023 9:00 am

It’s a strange period of relaxation, isn’t it? The post-Christmas and New Year period in the lead up to Australia…

Pure, heavenly escapism: The Unfriend, at the Criterion Theatre, reviewed

28 January 2023 9:00 am

The Unfriend is a smart new family comedy which opens on the sunlit deck of a cruise ship. Peter and…

A brilliant show : The 1975, at the O2, reviewed

28 January 2023 9:00 am

The great country singer George Jones was famed not just for his voice, but also for his drinking. Once, deprived…

A ‘look at these funny people’ doc that could have been presented by any TV hack: Grayson Perry’s Full English reviewed

28 January 2023 9:00 am

For around a decade now, Grayson Perry has been making reliably thoughtful and entertaining documentary series about such things as…

Mel C’s debut as a contemporary dancer is impressive: How did we get here?, at Sadler’s Wells, reviewed

28 January 2023 9:00 am

‘We hope you enjoy the performance,’ announced the Tannoy before the lights went down for How did we get here?…

A crash course in all things Hispanic: RA’s Spain and the Hispanic World reviewed

28 January 2023 9:00 am

‘Spain must be much more interesting than Liverpool,’ decided the 12-year-old Archer M. Huntington after buying a book on Spanish…

Cheesy but full of love: The Fabelmans reviewed

28 January 2023 9:00 am

There can’t be anyone anywhere who hasn’t somehow been touched by a Steven Spielberg film. Some of us, for example,…

Stirring and sophisticated: RLPO, Chooi, Hindoyan, at the Philharmonic Hall, reviewed

28 January 2023 9:00 am

Daniel Barenboim was supposed to perform with the Royal Liverpool Philharmonic Orchestra earlier this month. His recent health concerns made…

The art of art restoration

28 January 2023 9:00 am

Frank Lawton talks to Maurizio De Luca, former chief restorer at the Vatican, about the pitfalls of his profession

Cardinal virtues

19 January 2023 9:00 am

George Pell is dead. Although he was 81, no one would have predicted it. The Cardinal who had had to…

Midnight sun

18 January 2023 10:00 pm

Comes close to perfection: Watch on the Rhine, at the Donmar Warehouse, reviewed

18 January 2023 10:00 pm

Watch on the Rhine is the curiously misleading title chosen by Lillian Hellman for a wartime family drama that became…

Beautiful bleakness crowned with slivers of hope: John Cale’s Mercy reviewed

18 January 2023 10:00 pm

There’s a case to be made for John Cale being the most daring ex-member of the Velvet Underground. Lou Reed…

Is Matthew Parris the modern Plutarch? Radio 4’s Great Lives reviewed

18 January 2023 10:00 pm

Whenever I listen to Great Lives on Radio 4, which is often, I am reminded of the gulf between fame…

Heist drama with a novelty spin that isn’t very novel: Netflix’s Kaleidoscope reviewed

18 January 2023 10:00 pm

Kaleidoscope is a fairly routine eight-part heist drama with a supposed novelty spin: apart from the beginning and the end,…

Formulaic and untrue: Bank of Dave reviewed

18 January 2023 10:00 pm

Bank of Dave is the ‘true(ish)’ story, as this puts it, of Dave Fishwick, the Burnley businessman who wanted to…

The grisliest images are the earliest: Bearing Witness? Violence and Trauma on Paper, at the Fitzwilliam Museum, reviewed

18 January 2023 10:00 pm

‘Graphic’ scenes of violence are now associated with film, but the word betrays an older ancestry. The first mass media…

Why I hate Beethoven’s Pastoral symphony

18 January 2023 10:00 pm

Norman Lebrecht on his hatred of Beethoven’s Pastoral

Feast of epiphanies

14 January 2023 9:00 am

January 6, the end of the twelve days of Christmas and the Feast of the Epiphany when the three wise…