Arts

Bloated waffle: Jitney at the Old Vic reviewed

25 June 2022 9:00 am

The Old Vic’s new show, Jitney, has a mystifying YouTube advert which gives no information about the play or the…

No genre of storytelling is more formulaic or more exhausted than true crime

25 June 2022 9:00 am

Nothing new under the sun. Or at least it feels that way these days, doesn’t it? The movies are TV…

The hips are electric but you will be willing it to stay put: Baz Luhrmann’s Elvis reviewed

25 June 2022 9:00 am

Elvis is Baz Luhrmann’s biopic of Elvis Presley and it’s cradle to grave but told at such a gallop you’ll…

A thoroughly enjoyable grand old heap of nothing: The Excursions of Mr Broucek reviewed

25 June 2022 9:00 am

Sir David Pountney, it appears, has been to Prague. He’s booked himself a mini-break, he’s EasyJetted out, and after (one…

The man who changed Indian cinema

25 June 2022 9:00 am

Tanjil Rashid on the polymathic Bengali filmmaker Satyajit Ray, who spearheaded a new school of Indian cinema

The women’s lips are pursed; the men’s are kissable: Glyn Philpot at Pallant House reviewed

25 June 2022 9:00 am

Of all the photos of artists in the studio, the one of Glyn Philpot being served a martini by his…

The sad decline of my one-time favourites

25 June 2022 9:00 am

I don’t think it’s my imagination: it really is getting harder and harder to find anything worth watching on TV.…

Tinkering with the masters

18 June 2022 9:00 am

It was sad to see Ray Liotta, that magnificent actor, had died the other week. He was most famous for…

A masterclass in evenhandedness: James Graham’s Sherwood reviewed

18 June 2022 9:00 am

James Graham has made his considerable name writing political-based dramas of a highly unusual type: non-polemical ones. And this certainly…

Leave Bizet’s Carmen alone

18 June 2022 9:00 am

I’ve always felt uncomfortably ambivalent about the work of Matthew Bourne. Of course, there is no disputing its infectious exuberance…

Joyously liberating: Tony! [The Tony Blair Rock Opera] reviewed

18 June 2022 9:00 am

Harry Hill’s latest musical traces Tony Blair’s bizarre career from student pacifist to war-mongering plaything of the United States. With…

The opera that wouldn’t die

18 June 2022 9:00 am

Richard Bratby on the resurrection of wunderkind Erich Korngold’s long-neglected masterpiece

The power of cultural reclamation

18 June 2022 9:00 am

‘Version’ is an old reggae term I’ve always loved. It refers to a stripped-down, rhythm-heavy instrumental mix of a song,…

It’s wholly impossible to look away: Good Luck to You, Leo Grande reviewed

18 June 2022 9:00 am

Good Luck to You, Leo Grande stars Emma Thompson as a retired, widowed religious education teacher in her sixties who…

A completely satisfying operatic experience: Opera North’s Parsifal reviewed

18 June 2022 9:00 am

When Parsifal finally returns to Montsalvat, it’s Good Friday. He’s trodden the path of suffering but now the sun is…

How interesting an art is fashion?

18 June 2022 9:00 am

One of the New York Met Gala stylists is sharing tips for wearing a corset to an evening do. ‘Breathe…

Sheer erotic pulsation

11 June 2022 9:00 am

Anyone whose extreme youth was graced by the experience of watching the Nederlands Dans Theater is liable to be astonished…

It’s taken me days to uncringe: All My Friends Hate Me reviewed

11 June 2022 9:00 am

All My Friends Hate Me is a film about a university reunion weekend and should you have an upcoming university…

They have the weakest catalogue of any major act: Abba: Voyage reviewed

11 June 2022 9:00 am

One of the biggest talking points in pop these past couple of years has been how successful old musicians have…

Gandhi’s killer is more loveable than his victim: The Father and the Assassin reviewed

11 June 2022 9:00 am

Dictating to the Estate is a piece of community theatre that explains why Grenfell Tower went up in flames on…

Ricky Gervais is an achingly conventional Millennial posing as a naughty maverick

11 June 2022 9:00 am

Just how edgy and dangerous is Ricky Gervais? There is no one more edgy and dangerous, we learn from no…

The art of extinction

11 June 2022 9:00 am

Sam Kriss on the power of paleoart

Nobody paints the sea like Emile Nolde

11 June 2022 9:00 am

In April, ten years after opening its gallery on the beach in Hastings, the Jerwood Foundation gifted the building to…

I suspect this was a rush job: Like Water for Chocolate reviewed

11 June 2022 9:00 am

How much weight of plot can dance carry? Balanchine famously insisted that there are no mothers-in-law in ballet, and masters…

Big glass slippers to fill

4 June 2022 9:00 am

It sounds like a wet dream of musical theatre, doesn’t it? A Cinderella by Rodgers & Hammerstein in a visually…