Arts
A gentle soap opera with nudity and book chat: Conversations with Friends reviewed
It’s official: television has a new genre. Its features include leisurely half-hour episodes, plenty of literary chat, several scenes set…
A dramatic dream of Australia
1922 is the wonder year of twentieth century literature, the so-called annus mirabilis: T.S. Eliot published The Waste Land, James…
Enjoyably plummy and male: Battleground – The Falklands War podcast reviewed
The Battlegroundpodcast on the wars of the 20th century, said presenter Saul David happily, ‘will have lots of bombs and…
Schlock: Everything Everywhere All At Once reviewed
We’re doing multiverses now. Last weekend, a friend dragged me to see Marvel’s latest product, Doctor Strange in the Multiverse…
The best TV spy drama since Smiley’s People: Apple TV+'s Slow Horses reviewed
How thriller writers must miss the Cold War! Early John le Carré and Len Deighton had it easy when trying…
Artist, actor, social justice warrior, serial killer: the many faces of Walter Sickert
Artist, actor, social justice warrior, serial killer. Laura Gascoigne on the many faces of Walter Sickert
Too affectionate, not enough cruelty: Don Pasquale, at the Royal Opera House, reviewed
There are many things to enjoy in the Royal Opera’s revival of Donizetti’s Don Pasquale, but perhaps the most surprising…
A joy – mostly: Nick Mason’s Saucerful of Secrets, at Usher Hall, reviewed
Drummers are patient chaps, in the main. Think of Ringo in Peter Jackson’s recent Beatles docuseries, Get Back. Lolling around…
Two hours of bickering from a couple of doughnut-shaped crybabies: Middle, at the Dorfman Theatre, reviewed
‘I fink I doan luv yew any maw.’ A marital bust-up drama at the National Theatre opens with a whining…
Life from both sides now
It’s a strange thing the way we keep interpreting and re-interpreting the different aspects of our culture that have become…
Should have been even longer with less gore: The Northman reviewed
In Rus, which we now call Ukraine, Amleth (Alexander Skarsgard) begins his pursuit of revenge. A sea captain who later…
Why I booed Birtwistle
Keith Burstein recalls a key moment in the battle for emancipation from the ivory tower of atonalism
Fascinating exhibitions – clunky editorialising: Breaking the News at the British Library reviewed
In The Spectator office’s toilets there are framed front covers of the events that didn’t happen: Corbyn beats Boris; ‘Here’s…
A podcast with real emotional heft: Philippa Perry’s Siblings in Session reviewed
Have you ever taken a piece of advice? I’m not asking a rhetorical question. Have you ever once in your…
Lacks the bite and bracing malevolence of Call My Agent!: Amazon's Ten Percent reviewed
In theory, it should be a perfect match. John Morton – the man behind the brilliantly assured sitcom W1A which…
Angry diatribes and amusing pranks: Donmar Warehouse's Marys Seacole reviewed
The title of the Donmar’s new effort, Marys Seacole, appears to be a misprint and that makes the reader look…
The perfect pop star: Dua Lipa at the O2 Arena reviewed
Dua Lipa’s second album, Future Nostalgia, was released at the least promising moment possible: 27 March 2020, the day after…
Anatomy of a forgettable scandal
An evening of shorts, courtesy of Flickerfest, even at a lustrous cinema like the Kino in the Sofitel complex off…
Evocative tribute to the orphaned caped crusader: Superheroes, Orphans & Origins at the Foundling Museum reviewed
Instead of wasting money, like other museums, on extravagant architectural statements, the Foundling Museum in Brunswick Square has sensibly chosen…
Muddled, tricksy and cheap: The Corn is Green at the Lyttelton Theatre reviewed
The Corn is Green by Emlyn Williams is a sociology essay written in 1938 about a prickly tyrant, Miss Moffat,…
A fine cast, superbly conducted – just don't overthink the production: Royal Opera's Lohengrin reviewed
To be a Wagnerite is to enter the theatre in a state of paranoia. Mainstream culture has decided that Wagner…
I would be surprised if his next tour included arenas: Louis Tomlinson at Wembley reviewed
You don’t need to be a historian of pop to realise that having been part of a huge manufactured group…
‘I came, I saw, I scribbled’: Shane MacGowan on Bob Dylan, angels and his lifelong love of art
Graeme Thomson talks to former Pogues frontman Shane MacGowan about his first art folio
Impressive interpretations marred by cuts: Scottish Ballet's The Scandal at Mayerling reviewed
Sneer all you like at its prolixities and vulgarities but Kenneth MacMillan’s Mayerling remains a ballet that packs an exceptionally…
Fellowes fluffs it: Downton Abbey – A New Era reviewed
Downton Abbey: A New Era is the second film spin-off from the TV series and, like the first, it doesn’t…
