Arts

An impeccably rule-observing programme from the BBC: Art That Made Us reviewed

9 April 2022 9:00 am

Art That Made Us is an ambitious new series, firmly in the ‘history of something in a load of different…

Mighty and majestic

2 April 2022 9:00 am

There is nothing like a ghastly war, an inscrutable election and a great rush of entertainment high and low to…

Why is dance so butch these days?

2 April 2022 9:00 am

For an art form that once boldly set out to question conventional divisions of gender, ballet now seems to be…

Raphael – saint or hustler?

2 April 2022 9:00 am

Laura Gascoigne dishes the dirt on Raphael

Didn't deserve an Oscar: Coda reviewed

2 April 2022 9:00 am

This year the Oscar for best film went to the drama Coda– ‘Child of Deaf Adults’ – but the ceremony…

If you want to avoid intrusive anachronisms on TV, you have to go foreign

2 April 2022 9:00 am

The iron law of TV these days is that if you want to avoid series that are suffocatingly right-on the…

No one should be doing indie rock at 43: Band of Horses's Things Are Great reviewed

2 April 2022 9:00 am

Grade: B That thing, ‘indie rock’, is so well played and produced these days, so pristine and flawless, that it…

A play for bureaucrats: David Hare's Straight Line Crazy reviewed

2 April 2022 9:00 am

It’s good of Nicholas Hytner to let Londoners see David Hare’s new play before it travels to Broadway where it…

Pitch-black satire drenched in an atmosphere of compelling unease: ETO's Golden Cockerel reviewed

2 April 2022 9:00 am

Blame it on Serge Diaghilev. Rimsky-Korsakov died in 1908 and never saw the première of his last opera, The Golden…

A darkened stage lights up

26 March 2022 9:00 am

An American in Paris was always a stage musical waiting to happen even though it is immemorially associated with Gene…

Relentless and shouty: BBC2's Then Barbara met Alan reviewed

26 March 2022 9:00 am

BBC2’s one-off drama Then Barbara Met Alan(Monday) told the true story of how two disabled performers on the cabaret circuit…

It’s years since I saw anything as nasty as this: Cock at the Ambassadors Theatre reviewed

26 March 2022 9:00 am

Cock was written by Mike Bartlett in 2009 while he was in Mexico at a drama conference. The title suggests…

Keith Allen discusses Pinter, Max Bygraves and the sensitivities of contemporary audiences

26 March 2022 9:00 am

Lloyd Evans talks to Keith Allen about Max Bygraves, how he fell into acting and the sensitivities of contemporary audiences

Fails to dispel the biggest myth of all: Whitechapel Gallery's A Century of the Artist’s Studio reviewed

26 March 2022 9:00 am

Picture the artist’s studio: if what comes to mind is the romantic image of a male painter at his easel…

Comes so close to greatness but succumbs to prejudice: Royal Opera's Peter Grimes reviewed

26 March 2022 9:00 am

No question, the Royal Opera is on a roll. Just look at the cast list alone for Deborah Warner’s new…

See this Russian hip hop star before they arrest him: Oxxxymiron's Beauty & Ugliness reviewed

26 March 2022 9:00 am

Grade: A+ I was going to review hyperpop chanteuse Charli XCX’s album this week, but it was such boring, meretricious,…

Why we drink

26 March 2022 9:00 am

‘I like to have a martini,/ Two at the very most./ After three I’m under the table,/ After four I’m…

You will feel nothing: The Worst Person in the World reviewed

26 March 2022 9:00 am

The Worst Person in the World is a Norwegian film that has made a big splash. To date, its star…

Not worth the price of admission

19 March 2022 9:00 am

There are moments when you wish the theatre would just be swallowed up and be as if it had never…

The psychopath who wrecked New York

19 March 2022 9:00 am

Robert Gore-Langton on the man who wrecked New York

A must-see for Westminster obsessives: Riverside Studios' Bloody Difficult Women reviewed

19 March 2022 9:00 am

Bloody Difficult Women is a documentary drama by the popular journalist Tim Walker, which looks at the similarities between Gina…

Liam Scarlett's enduring legacy: Royal Ballet's Swan Lake reviewed

19 March 2022 9:00 am

Without fanfare or apology, the Royal Ballet appears to have rehabilitated Liam Scarlett, but what a tragic balls-up it has…

Felt like being caught on the moors in a storm: Keeley Forsyth, at the Barbican, reviewed

19 March 2022 9:00 am

It took a moment to realise Keeley Forsyth was there. There were already three musicians, faint figures on a dark…

Spot-on in almost every way: Scottish Opera's A Midsummer Night’s Dream reviewed

19 March 2022 9:00 am

Scottish Opera’s new production of Britten’s A Midsummer Night’s Dream seems to open in midwinter. Snow falls, fairies hurl snowballs…

Fun, good-natured and schmaltzy: Phantom of the Open reviewed

19 March 2022 9:00 am

Phantom of the Open is a comedy-drama telling a true story that would have to be true as no one…