Arts
Amateurish and implausible: BBC1's Vigil reviewed
Tense, claustrophobic, gripping, thrilling, realistic: just some of the adjectives no one is using to describe BBC1’s Sunday night submarine…
The yumminess of paint
‘Painting has always been dead,’ Willem de Kooning once mused. ‘But I was never worried about it.’ The exhibition Mixing…
A terrific night of opera: Zanetto/Orfeo ed Euridice, Arcola Theatre, reviewed
For a one-hit composer, we hear rather a lot of Pietro Mascagni. His reputation rests on his 1890 debut Cavalleria…
Teenage Fanclub are not a dramatic group, but they are lovely
They may no longer get many teenagers at their shows spending all their money on merchandise, then throwing up on…
How the good intentions of Title IX ended up punishing the innocent
How do we have difficult conversations? Especially in an age of polarisation, where everything is immediately politicised? But also where…
Sexist, classist and pro-global warming: Frozen, at Theatre Royal Drury Lane, reviewed
Frozen the musical declares war on woke politics. The 2013 Disney movie has been turned into a song-and-dance show that…
Thomas Mann
And so Baz Luhrmann’s Moulin Rouge is Melbourne’s musical-in- waiting. The show that can only go on when we’re 80…
Tsunami of piffle: Rockets and Blue Lights at the Dorfman Theatre reviewed
Deep breath. Here goes. Winsome Pinnock’s new play about Turner opens with one of the most confusing and illogical scenes…
Bleak, unashamedly macho and grown-up: BBC2's The North Water reviewed
‘The world is hell, and men are both the tormented souls and the devils within it.’ This was the cheery…
Sale of the century: the contents of the Sitwells' mansion are going under the hammer
In my bedroom there is a small lidded laundry basket. It was designed by Geoffrey Lusty for Lloyd Loom, a…
Is the life of Jimmy Savile a suitable subject for drama?
Translating the story of Jimmy Savile to stage or screen is a creative minefield, says Jonathan Maitland, who knows from first-hand experience
Opera della Luna is a little miracle: Curtain Raisers at Wilton’s Music Hall reviewed
Arthur Sullivan knew better than to mess with a winning formula. ‘Cox and Box, based on J. Maddison Morton’s farce…
Intensely powerful: Herself reviewed
Herself is an intensely powerful film about domestic violence that isn’t Nil By Mouth or The Killer Inside Me or…
A podcast that will rescue your relationship: Where Should We Begin? reviewed
Let me give you a free piece of relationship advice: just break up. If it’s more work than pleasure, if…
Charlie Watts
The endless news is of shows locked down as every form of life is locked down in a nation struggling…
Repetitive, spiritless, god-bothering music: Kanye West's Donda reviewed
Grade: C– The nicest thing one can say is that this is a marginally better album than we would have…
Up there with Succession and Chernobyl: The White Lotus, Sky Atlantic, reviewed
Every now and then, you see a new series — Succession, say, or Chernobyl or To the Lake — which…
Cast a spell, clear and sharp as frost: The Unthanks, at Edinburgh International Festival, reviewed
As August unwound, the EIF settled into the cavernous gazebo that is Edinburgh Park, and things began to loosen up.…
A fantastical fever dream that's hard to follow or enjoy: Annette reviewed
Leos Carax is the director whose films have always been wilfully odd. Ron and Russell Mael (the brothers from the…
Exuberance and class: Ariadne auf Naxos at Edinburgh International Festival reviewed
For some reason, I’d got it into my head that the main work in the Gringolts Quartet’s midday recital at…
Glib and snarky: Andrew Lloyd Webber's Cinderella, at Gillian Lynne Theatre, reviewed
It’s a rum beast the new Andrew Lloyd Webber musical. Cinderella is set in Belleville, a European city of 18th-century…
The art of the pillbox
Laura Gascoigne on the art of pillboxes
Nicole Kidman
And, as even Canberra locks down, so do all the shows. The Melbourne Theatre Company shuts down its production of…
Captures the rapturous gaiety of the original: Globe's Twelfth Night reviewed
The new Lily Allen vehicle opens in a spruced-up terrace in the East End. Allen plays a self-satisfied yuppie, Jenny,…
Deserves to be much better known: Sophie Taeuber-Arp at Tate Modern reviewed
Great Swiss artists, like famous Belgians, might seem to be an amusingly underpopulated category. Actually, as with celebrated Flemings and…
