Arts
The vivid memory-scapes of Hong Kong master Wong Kar Wai
Tanjil Rashid on the vivid memory-scapes of Hong Kong master Wong Kar Wai
Comedy genius: Garsington Opera's Le Comte Ory reviewed
Melons. An absolutely cracking pair of melons, right there on a platter: the centrepiece of the banquet that the chaste,…
Ethos
A Sydney lockdown on the heels of Melbourne: what price entertainment? It seemed natural as ever to have recourse to…
Jaime Martín
They’re changing guard at our two major orchestras; the Melbourne Symphony and the Sydney Symphony. A couple of months ago…
Is there anyone more irritating and stupid than Bobby Gillespie?
Grade: B– Is there anyone in rock music more irritating and stupid than Bobby Gillespie? The rawk’n’roll leather-jacketed self-mythologiser. The…
If you didn’t love Jansson already, you will now: Tove reviewed
Tove is a biopic of the Finnish artist Tove Jansson who, most famously, created the Moomins, that gentle family of…
The rise of the 'sensitivity reader'
Zoe Dubno on the rise of the ‘sensitivity reader’, a seductively cheap way for publishers to cancel-proof their books
The best thing on TV ever: Rick and Morty, Season 5, reviewed
I’ve been trying to avoid the house TV room as much as possible recently because it tends to be occupied…
The magical art of boxer, labourer & sometime gravedigger Eric Tucker
Artists’ estates can be a curse on a family. The painter dies, leaving the house stuffed with unsold canvases. What…
Much smarter than your average podcast: Passenger List reviewed
Passenger List opens with a carefully structured ripple of breaking news bulletins: a mysterious catastrophe, an unconvincing official explanation, the…
This play is a wonder: Bach & Sons at the Bridge Theatre reviewed
Bach & Sons opens with the great composer tinkling away on a harpsichord while a toddler screeches his head off…
The finest Falstaff you’ll see this summer
Comedy’s a funny thing. No, seriously, the business of making people laugh is as fragile, as mercurial as cryptocurrency —…
Singing Shakespeare
Britain is certainly revving up when it comes to culture. Andrew Lloyd Webber’s defiance about social distancing for his new…
The Dictionary of Lost Words
These days I don’t read many novels although occasionally I have to read one for my book group. Recently our…
Thoughtful and impeccable: Ken Burns's Hemingway reviewed
Ken Burns made his name in 1990 with The Civil War, the justly celebrated 11-and-a-half-hour documentary series that gave America’s…
An unrewarding slog: Thomas Vinterberg's Another Round reviewed
Thomas Vinterberg’s Another Round has been heaped with awards: an Oscar, a Bafta, it swept the European Film Awards. And…
Welcome to the Impasse Ronsin – the artists’ colony to beat them all
Rosie Millard is transported to the Impasse Ronsin, a tiny, squalid cul de sac in Paris’s 15th arrondissement that was once the centre of the modern-art world
You'll shrug where you should marvel: Garsington's Amadigi reviewed
When you think of Handel’s Amadigi (in so far as anyone thinks about the composer’s rarely staged, also-ran London score…
The best food podcasts
You have to hand it to Ed Miliband. After bacon sandwich-gate, he might never have eaten in public again, but…
Whiny, polite and beautiful: Kings of Convenience's Peace or Love reviewed
Grade: A– The problem with Norwegians is that they are so relentlessly, mind-numbingly pleasant. Well, OK, not Knut Hamsun or…
Enjoyable in spite of the National's best efforts: Under Milk Wood reviewed
Before the National Theatre produced Dylan Thomas’s Under Milk Wood they had to make a decision. How could they stuff…
Anya Taylor Joy stars in the new Mad Max
It’s funny to reflect how the performing arts, theatre in particular, are a lot stronger when they have a literary…
Spring Waters
Recent decades have seen the opening or upgrading of numerous performing arts centres throughout regional Australia enabling the development of…
Nina Hamnett's art was every bit as riveting as her life
Nina Hamnett’s art has long been overshadowed by her wild, hedonistic life, but that is changing, says Hermione Eyre — and about time