Arts
On The Beach
The aftermath of Australia Day seems like an appropriate time to watch On the Beach, for a belated first time,…
Elijah Moshinsky
Earlier this month, the opera world sadly absorbed the news of the death of Elijah Moshinsky. Born in Shanghai in…
Is the hottest new podcast, The Apology Line, worth sticking with?
With the arts world still largely in hibernation, the launch of a big podcast is as close as we get…
How Facebook became a freedom-gobbling corporate monster
Southwark Playhouse is beating the latest lockdown with a zingy new musical about social media. The performers, Francesca Forristal and…
John DeLorean: man of mystery – and full-blown psychopath
DeLorean: Back from the Future was one of those documentaries — for me at least — that takes a story…
The rise of bad figurative painting
Galleries are awash with gimmicky paintings that look like they’ve been designed by algorithm. Dean Kissick on the rise of zombie figuration
Remarkably moving: The Dig reviewed
Just before the outbreak of the second world war a discovery was made in a riverside field at Sutton Hoo…
Proudly ridiculous and wholly glorious: KLF's Solid State Logik reviewed
Grade: A What a miracle the KLF were: an elaborate practical joke at the expense of the music industry, seemingly…
Another cracking take on the opera film: Marquee TV’s Turn of the Screw reviewed
I’m still waiting for the Royal Opera to step up. Nearly a year into the Covid crisis and what do…
The Investigation
Slowly, after what seemed like infinite, malingering delays, virus-driven, the world of arts and entertainment is starting to open again…
Masked opera
We were all excited to be there. You would have thought that we hadn’t been to an opera performance. Well,…
As pretty as anything he’s written in four decades: McCartney III reviewed
Grade: A- The greatest songwriter of the 20th century, or just one of the top two or three? Who…
Pleasant, cheerful and a little exhausting: Graham Norton on Virgin Radio reviewed
In my parents’ house, the radio is always tuned to one of two stations: Magic FM and LBC. When Magic…
So good I watched it twice: Netflix's The White Tiger reviewed
The White Tiger is adapted from the Booker-prize winning novel (2008) by Aravind Adiga. It is directed by Ramin Bahrani…
Actors will be in trouble if the Bridge Theatre's latest experiment catches on
Flight has been hailed as a new form of dramatic presentation — prefab theatre. It’s great to look at. A…
British opera companies and orchestras must start investing in native talent
Brexit and Covid have pushed us out of the common musical market and thrown us back on homegrown sprouts. Good, says Norman Lebrecht
Like trying to understand some obscure but fashionable meme: WandaVision reviewed
‘What the world needs now is a black and white pastiche of classic 1950s and 1960s sitcoms reviving two Marvel…
Bridgerton
Who would have thought that Netflix would score so sumptuously with a Regency soap that flaunts colourblind casting like a…
Banks, the new biography of Joseph Banks by Grantlee Kieza reviewed
One of the most eligible bachelors in England, he was strong, handsome, well-educated, adventurous and a fabulously rich young man.…
Watch Mark Kermode find 1950s political attitudes in 1950s films
The new series of Mark Kermode’s Secrets of Cinema began with an episode on British comedy films. As ever, Kermode…
The acting is very Scooby-Doo: Blithe Spirit reviewed
The comedy Blithe Spiritwas written by Noël Coward in 1941. It is, essentially, about a séance going wrong and a…
Most artistic careers end in failure. Why does no one talk about this?
Rosie Millard dispels the myth that persistence is always rewarded
Englishness vs California dreaming: Meghan and Harry's Archewell Audio reviewed
On Archewell Audio, Harry and Meghan’s new podcast, ‘love wins’, ‘change really is possible’, and ‘the courage and the creativity…
Alfred Brendel the Dadaist
How many people are celebrating the fact that, last week, one of Europe’s most inspired writers about music, modern art…
'We knew there was greatness in these songs': Steve Diggle of the Buzzcocks interviewed
Graeme Thomson talks to Steve Diggle, front man of Buzzcocks, about orgasms, boredom and Pete Shelley
