Arts
New year pleasures
There are things to bring us pleasure in this new year. The opera has opened The Merry Widow (until 16…
Ignore the activists – Humboldt’s Enlightenment project deserves celebrating
Ignore the activists, says Tristram Hunt, Alexander von Humboldt’s Enlightenment project, embodied in a flash new Berlin museum, deserves celebrating
There’s no better sonic hangover cure: New Year’s Day Concert reviewed
The best moment in the Vienna Philharmonic’s annual New Year’s Day Concert comes after the end of the advertised programme.…
The politics of handbags
‘Of course, I am obstinate in defending our liberties and our law — that is why I carry a big…
Stick it on the BBC: Love Letters at Theatre Royal Haymarket reviewed
Love Letters by A.R. Gurney began life as an epistolary novella about two childhood friends, Andy and Melissa, whose on-off…
Riveting: Dear Comrades! reviewed
Andrei Konchalovsky’s Dear Comrades! is based on a true event and set in 1962 in the Russian city of Novocherkassk…
Superb but depraved: BBC1’s The Serpent reviewed
The Serpent is the best BBC drama series in ages — god knows how it slipped through the net —…
Orson Welles
It seems on the face of it the oddest proposition on earth. David Fincher, the famous Hollywood director of Fight…
The Australian Ballet
It is indeed a new era. The Australian Ballet announced its 2021 season under the new artistic direction of David…
Alan Rusbridger on the joys of four-hand piano
One of the few social activities not yet prohibited under lockdown laws is four-handed piano playing. I don’t mean sitting…
The grumpy genius of Raymond Briggs
No one captures better than Raymond Briggs the ambivalence that many of us feel towards the festive season, says Daisy Dunn
'You can't have opinions any more': Rick Wakeman interviewed
Rod Liddle talks to Rick Wakeman about lockdown, the Sex Pistols, and how you can’t have opinions any more
A round-up of horror podcasts
Good evening! Come shivering on in through the garden side door, my friends, and distance yourselves in a semi-legal fashion…
A romcom with very little com: BBC1’s Black Narcissus reviewed
In Black Narcissus, based on the novel by Rumer Godden, five nuns set off for a remote Himalayan palace in…
On the trail of one of the first artists to paint ordinary things
The Master of Flémalle was one of the first painters to depict in detail the reality of ordinary things. But who was he? Martin Gayford finds a prime suspect
Deserves to be a permanent winter fixture: Potted Panto at the Garrick reviewed
Potted Panto is a 70-minute parody presented by two burlesque comedians. Jeff is a tall, playful bungler and his colleague,…
Even I, a bitter and cynical middle-aged woman, felt stirred: Sylvie’s Love reviewed
Sylvie’s Love is an exquisitely styled, swooning, old-school, period Hollywood romance and while it has been described as ‘glib’ in…
Every page of this astonishingly beautiful ode to the citrus is a treat
Laura Freeman is transported by J.C. Volkamer’s astonishingly beautiful ode to the citrus
Hear the greatest Parsifal of our time sing like a Muppet: Jonas Kaufmann’s Christmas album reviewed
In classical music circles, Christmas arrives with the overture to Handel’s Messiah. Or so they’ll tell you. In truth, festivities…
Ned Kelly
All the young millennials I know were raging in Melbourne the other Saturday night and so were some of their…
Australian Brandenburg Orchestra
Time to look to the future; performing arts companies are encouraging us to do so through their subscription seasons now…
Refined and dreamy: CBSO centenary concerts reviewed
For an orchestra to lose one anniversary concert may be regarded as unfortunate. To lose two? Welcome to 2020. The…
Like eating 58 luxury chocolates: The Flying Lovers of Vitebsk reviewed
The Flying Lovers of Vitebskbegins with a phone conversation between a pretentious art critic and a man called Marc. This…
The Venus de Marlene
Tanjil Rashid on the legend of Dietrich
Buttercup the cow was so convincing I felt quite moved: Jack and the Beanstalk reviewed
This pantomime was filmed by ‘legendary Blue Peter presenter’ Peter Duncan in his back garden over the summer. It was…
