Arts
Masked opera
We were all excited to be there. You would have thought that we hadn’t been to an opera performance. Well,…
As pretty as anything he’s written in four decades: McCartney III reviewed
Grade: A- The greatest songwriter of the 20th century, or just one of the top two or three? Who…
So good I watched it twice: Netflix's The White Tiger reviewed
The White Tiger is adapted from the Booker-prize winning novel (2008) by Aravind Adiga. It is directed by Ramin Bahrani…
Actors will be in trouble if the Bridge Theatre's latest experiment catches on
Flight has been hailed as a new form of dramatic presentation — prefab theatre. It’s great to look at. A…
British opera companies and orchestras must start investing in native talent
Brexit and Covid have pushed us out of the common musical market and thrown us back on homegrown sprouts. Good, says Norman Lebrecht
Like trying to understand some obscure but fashionable meme: WandaVision reviewed
‘What the world needs now is a black and white pastiche of classic 1950s and 1960s sitcoms reviving two Marvel…
Bridgerton
Who would have thought that Netflix would score so sumptuously with a Regency soap that flaunts colourblind casting like a…
Banks, the new biography of Joseph Banks by Grantlee Kieza reviewed
One of the most eligible bachelors in England, he was strong, handsome, well-educated, adventurous and a fabulously rich young man.…
Watch Mark Kermode find 1950s political attitudes in 1950s films
The new series of Mark Kermode’s Secrets of Cinema began with an episode on British comedy films. As ever, Kermode…
The acting is very Scooby-Doo: Blithe Spirit reviewed
The comedy Blithe Spiritwas written by Noël Coward in 1941. It is, essentially, about a séance going wrong and a…
Most artistic careers end in failure. Why does no one talk about this?
Rosie Millard dispels the myth that persistence is always rewarded
Alfred Brendel the Dadaist
How many people are celebrating the fact that, last week, one of Europe’s most inspired writers about music, modern art…
'We knew there was greatness in these songs': Steve Diggle of the Buzzcocks interviewed
Graeme Thomson talks to Steve Diggle, front man of Buzzcocks, about orgasms, boredom and Pete Shelley
New year pleasures
There are things to bring us pleasure in this new year. The opera has opened The Merry Widow (until 16…
Ignore the activists – Humboldt’s Enlightenment project deserves celebrating
Ignore the activists, says Tristram Hunt, Alexander von Humboldt’s Enlightenment project, embodied in a flash new Berlin museum, deserves celebrating
There’s no better sonic hangover cure: New Year’s Day Concert reviewed
The best moment in the Vienna Philharmonic’s annual New Year’s Day Concert comes after the end of the advertised programme.…
The politics of handbags
‘Of course, I am obstinate in defending our liberties and our law — that is why I carry a big…
Stick it on the BBC: Love Letters at Theatre Royal Haymarket reviewed
Love Letters by A.R. Gurney began life as an epistolary novella about two childhood friends, Andy and Melissa, whose on-off…
Riveting: Dear Comrades! reviewed
Andrei Konchalovsky’s Dear Comrades! is based on a true event and set in 1962 in the Russian city of Novocherkassk…
Superb but depraved: BBC1’s The Serpent reviewed
The Serpent is the best BBC drama series in ages — god knows how it slipped through the net —…
Orson Welles
It seems on the face of it the oddest proposition on earth. David Fincher, the famous Hollywood director of Fight…
The Australian Ballet
It is indeed a new era. The Australian Ballet announced its 2021 season under the new artistic direction of David…
Alan Rusbridger on the joys of four-hand piano
One of the few social activities not yet prohibited under lockdown laws is four-handed piano playing. I don’t mean sitting…